The best Dorothy Ford’s movies

With his family away for their annual summer holiday, Richard Sherman decides he has the opportunity to live a bachelor's life. The beautiful but ditzy blonde from the apartment above catches his eye and they soon start spending time together—maybe a little too much time!

Three outlaws on the run discover a dying woman and her baby. They swear to bring the infant to safety across the desert, even at the risk of their own lives.

A scientific experiment involving subjecting a corpse to an extreme charge of electricity accidentally revives an executed criminal and makes him impervious to harm, allowing him to seek revenge on his former partners, and deal similarly with anyone else who gets in his way.

The relationship between Sergeant Stryker and a group of rebellious recruits is made difficult by the Sergeant's tough training tactics. At Tarawa, the leathernecks have a chance to see Stryker in action, and begin to appreciate him.

A young boy trades the family cow for magic beans.

Oliver Pease gets a dose of courage from his wife Martha and tricks the editor of the paper (where he writes lost pet notices) into assigning him the day's roving question. Martha suggests, "Has a little child ever changed your life?" Oliver gets answers from two slow-talking musicians, an actress whose roles usually feature a sarong, and an itinerant cardsharp. In each case the "little child" is hardly innocent: in the first, a local auto mechanic's "baby" turns out to be fully developed as a woman and a musician; in the second, a spoiled child star learns kindness; in the third, the family of a lost brat doesn't want him returned. And Oliver, what becomes of him?

Molly (Martha O'Driscoll), her brother, Slats (Abbott), and his pal, Oliver (Costello), are taxi dancers at the Miramar Ballroom. As a publicity stunt, Slats plants an article about Molly claiming her ambition is to earn enough money to attend staid, all-girl Bixby College. Bixby's progressive dean offers Molly a scholarship. Molly accepts on the condition that Slats and Oliver come along too as campus caretakers. But the pompous Chairman threatens to foreclose on the school's mortgage if Molly isn't expelled. Together, the trio, with the help of some new friends, concocts a scheme to raise enough money to save the school. The plan involves a bet on the Bixby basketball team, which is playing in a game rated at 20 to 1 by the local bookie. But the bookie has other plans for their dough and hires a group of ringers to step in for the opponents. All is not lost, at least while Oliver has the chance to turn things around for his friends-one way or another.

Sach discovers that he is heir to a farm in rural hillbilly country. He and the boys go to the farm to check it out, and find themselves mixed up with feuding hillbillies and a gang of bank robbers.

Recently discharged cavalry sergeant Chad Santee (Buster Crabbe) joins his brother, Jubal (Neville Brand), and discovers that Jubal is a wanted outlaw. On the way he meets Rose Fargo and rescues her from the unwanted advances of a gambler, "Blackjack". When Chad and Rose arrive they find that Jubal and his partner, Shawnee, are really rustlers and outlaws. Jubal tries to get Chad to join them but he refuses, and leaves to set up his own homestead with Rose at his side. Later, the repentant Jubal comes to join him. Shawnee, angry at what he considers a double-cross, attacks the brothers with his gang.

Andy Hardy goes to college after serving in the war and finds his sweetheart is engaged to someone else.

A ship of women embarks on a voyage to California. Director R. G. Springsteen's 1953 adventure drama stars Vera Ralston, David Brian, Virginia Grey, Charles Winninger, Veda Ann Borg and Hope Emerson.

The Bowery Boys join the Navy to catch some crooks who are posing as sailors.

The third film version of James Hagan's play, this time with songs added, starring Dennis Morgan as a dentist who marries patient and loyal Dorothy Malone despite his constant infatuation with sexy flirt Janis Paige. Filmed previously in 1933 ("One Sunday Afternoon") and 1941 ("The Strawberry Blonde").