The best Victor Moore’s movies

With his family away for their annual summer holiday, Richard Sherman decides he has the opportunity to live a bachelor's life. The beautiful but ditzy blonde from the apartment above catches his eye and they soon start spending time together—maybe a little too much time!

A New Yorker hobo moves into a mansion and along the way he gathers friends to live in the house with him. Before he knows it, he is living with the actual home owners.

Lucky is tricked into missing his own wedding again and has to make $25,000 so her father allows him to marry Margaret. He and business partner Pop go to New York where they run into dancing instructor Penny. She and Lucky form a successful dance partnership, but romance is blighted by his old attachment to Margaret and hers for Ricky Romero.

At a family reunion, the Cooper clan find that their parents' home is being foreclosed. "Temporarily," Ma moves in with son George's family, Pa with daughter Cora. But the parents are like sand in the gears of their middle-aged children's well regulated households. Can the old folks take matters into their own hands?

A Justice of the Peace performed weddings a few days before his license was valid. A few years later five couples learn they have never been legally married.

The late, great impresario Florenz Ziegfeld looks down from heaven and ordains a new revue in his grand old style.

The partners of stage-producer J. J. Hobart gamble away the money for his new show. They enlist a gold-digging chorus girl to help get it back by conning an insurance company. But they don’t count on the persistence of insurance man Rosmer Peck and his secretary Norma Perry.

Oliver Pease gets a dose of courage from his wife Martha and tricks the editor of the paper (where he writes lost pet notices) into assigning him the day's roving question. Martha suggests, "Has a little child ever changed your life?" Oliver gets answers from two slow-talking musicians, an actress whose roles usually feature a sarong, and an itinerant cardsharp. In each case the "little child" is hardly innocent: in the first, a local auto mechanic's "baby" turns out to be fully developed as a woman and a musician; in the second, a spoiled child star learns kindness; in the third, the family of a lost brat doesn't want him returned. And Oliver, what becomes of him?

Pop, a security guard at Paramount has told his son that he's the head of the studio. When his son arrives in Hollywood on shore leave with his buddies, Pop enlists the aid of the studio's dizzy switchboard operator in pulling off the charade. Things get more complicated when Pop agrees to put together a show for the Navy starring Paramount's top contract players.

The staff of a record factory drown their sorrows at Duffy's Tavern, while the company owner faces threats of bankruptcy.

Eric Phillips's manager buys him a building with tenants, one of whom catches his eye.

The ringmaster of a flea circus inherits a fortune...if he can find which chair it's hidden in.

The day after Carol returns from a European trip, she wakes up to find her dead father's creditors hauling everything away. Her aunt wants her to marry a millionaire, but Carol insists on getting a job.

After an absence of three years, Mae West returned to the screen in the musical comedy The Heat's On. La West is cast as Fay Lawrence, a famous Broadway actress who is loved intensely by her producer Tony Ferris (William Gaxton). Rival producer Forrest Stanton (Alan Dinehart) steals Fay away from Ferris by convincing her that she's been blacklisted from Broadway by blue-nosed moralist Hannah Bainbridge (Almira Sessions). Meanwhile, Hannah's puckish brother Hubert (Victor Moore) syphons money from his sister's "clean up show business" committee to produce a musical show for his actress niece Janey (Mary Roche). Somehow, all these characters converge for a spectacular closing production number spotlighting the formidable Fay. Part of the reason for the failure of The Heat's On is the fact that Mae West didn't write her own dialogue, as was usually her custom. The film performed so poorly that it would be 27 years before West would again appear on the Big Screen.

Dangerous Nan McGrew is the sharp-shooting expert of a traveling medicine show that is stranded in the Canadian northwest at the snowbound hunting lodge of wealthy Mrs. Benson. Nan is invited to put on a show for the benefit of Mrs. Benson's Christmas-Eve guests. While performing her boop-a-doop songs, Eustace Macy, the saxophone-tooting nephew of Mrs. Benson falls in love with Nan. And, then, the villain, the bank-robbing Doc Foster, makes his entrance. Can Dawes of the Royal Mounted be seen slushing in pursuit behind the gangster? Could Be.

A writer for a radio program needs some fresh ideas to juice up his show. For inspiration, he rents a room with a typical American family and begins to secretly write about their true life antics. The show becomes a big hit, but he begins to feel guilty about his charade when he falls in love with the family's pretty older daughter.

A down-on-his-luck songwriter attempts to peddle musical compositions of a naive Arkansas hillbilly under his own name. Comedy.