The best Dorothy Cumming’s movies
We present our ranking of the best Dorothy Cumming’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Dorothy Cumming.
The Wind
8/10
When Letty Mason relocates to West Texas, she finds herself unsettled by the ever-present wind and sand. Arriving at her new home at the ranch of her cousin, Beverly, she receives a surprisingly cold welcome from his wife, Cora. Soon tensions in the family and unwanted attention from a trio of suitors, including neighbor Lige Hightower, leave Letty increasingly disturbed, resulting in tragedy.
The King of Kings
7.4/10
The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.
Manslaughter
6.3/10
Society-girl thrillseeker Lydia's fun comes to an end when she accidentally causes the death of motorcycle policeman.
Our Dancing Daughters
6.7/10
A flapper sets her hat for a man with a hard-drinking wife.
The Divine Lady
6.2/10
Lady Hamilton's love affair with Admiral Horatio Nelson rocks the British Empire.
Applause
7.1/10
This early example of the "backstage" musical genre tells the story of Kitty Darling, a fading burlesque star who tries to save her convent-educated daughter April from following in Mom's footsteps.
The Man from Home
6.5/10
A fairly conventional romance of an American heiress, loved by boy back home, bedazzled by a glamorous prince in beautiful Italian surroundings.
Snow White
6.3/10
Snow White, a beautiful girl, is despised by a wicked queen who tries to destroy her. With the aid of dwarfs in the woods, Snow White overcomes the queen.
Forbidden Hours
Set in the fictitious European kingdom of Balanca, Prince Michael IV is being coerced, by his advisers, to marry a young woman of royal blood. However, he has fallen for a peasant.
The New Commandment
Billy Morrow (Ben Lyon), who comes from a wealthy family, is sailing to Europe with his father (Holbrook Blinn) on their yacht. Along for the ride is Mrs. Parr (Claire Eames) and her stepdaughter. Near the French coast, Billy discovers that Mrs. Parr wants to arrange a marriage between him and the girl, so he escapes and takes a lifeboat ashore.
The Divine Woman
7/10
[For 9 minute surviving fragment] Lucian, a soldier in Paris, is to ship out for Algiers at 9 that evening. He stops by for a last meal with his love, Marianne. He may be worried that when he leaves she will find another soldier to love. They argue then embrace and, when the clock strikes midnight, he is still in her arms. Is desertion in the cards? Can the relationship survive the military demands and a soldier's obligations? A lost film.
The Next Corner
While honeymooning in Paris Elsie is rescued from attentions of a man.Her hero is Don Arturo who takes her to Countess Longueval after her husband must go for work to Argentine.When her husband returns he is shocked how have Elsie change.Elsie goes to a party in Arturos hunting lodge,where he forces himself on her.Arturo is shot by a Stranger and Elsie confesses all to her forgiving husband.Juan Serafin is found shot.
A Kiss for Cinderella
6.9/10
An adaption of a novel by Peter Pan author J.M. Barrie.
Idols of Clay
A girl raised isolated from society in the South Seas falls in love with a visiting sculptor. Gosfilmofond Of Russia holds a copy.
A Self Made Wife
Tim Goodwin and his wife Corrie are living in poverty when Tim's oil well strikes it rich. He soon works his way to the top of the social scale, but Corrie doesn't change at all--she stays a dour, drab woman with no social skills whatsoever. Tim gets so embarrassed by her that he hires a "social secretary" for her to teach her how to function in the social strata in which they find themselves.
Twenty-One
Twenty-One is a 1923 American silent drama film directed by John S. Robertson and starring Richard Barthelmess, Dorothy Mackaill and Joe King.
