The best Dieter Montag’s drama movies

Two years ago, cinema poster painter Jonathan had agreed in his divorce to leave the sole custody for his son David to David′s mother Ruth. But at the boy′s ninth birthday, Jonathan all of a sudden returns to their house. In the meantime, Ruth has found a new Partner, Franz, whom David has accepted as his surrogate father. Although everybody tries to solve the new situation with a lot of tolerance, Franz and Jonathan become rivals. But this rivalry comes to an end when David has an accident. Now, the boy is allowed to visit his father Jonathan on the weekend whenever he wants to. But before that, David goes on one last adventure: On a trip to a vacation camp, Jonathan "kidnaps" his son to spend several days hitchhiking alone with his son. Then, he gets him back to the vacation camp.

In this film, Wolf and scriptwriter Wolfgang Kohlhaase explore the role of art and the artist in socialist society. A sculptor questions the reception and value of his work, in a delicately nuanced narrative interweaving personal memories, historical dilemmas, and political defeats.

Suse works as a truck driver on a major construction site. The young woman has a hard life behind her. She was foundling, was raised by farmers. Manne, the father of her child, wanted to escape from the GDR and is in prison. After he is released, Manne wants to live again with Suse and their child together. But she rejects him as well as another worshiper. Suse is more interested in the Soviet engineer Boris, but apparently not for her, since he can never remember her at their chance encounters. But a much bigger problem - and a difficult one - is Suse, when she is offered to go to the Soviet Union for six months.

Nina Kern, a divorced woman in her late twenties, will soon be fully deprived of her custody rights for her three children, who already reside in a home for the displaced due to Nina’s many years of willful neglect. Although she has broken her promise to change her moral conduct many times, she is given one last chance on probation.

While studying in Moscow, the GDR resident Christiane falls in love with Hatem, a fellow student from Syria. The two become a couple and even have a child together. When their study draws to an end, Christiane and Hatem have to decide if they want to share their future together. After Hatem explains to Christiane that as a woman she will not be able to work in Syria, Christiane suggests moving to the GDR together. For Hatem, however, this is out of the question, since he considers it a betrayal of his country. Thus, the two young people are forced to go separate ways.

Film by Christo Christow.

The film tells the story of the smelter brigade of a steel mill whose members are connected by a strong comradeship. Among the workers are, for instance, young Rolf, whom everybody just calls "Lachtaube" and who always comes through for his co-workers, or the likable Hubert, who works as a simple smelter again after being dismissed as the head of the steel mill. Then, there is also the stubborn Manfred, who should have become a brigadier long ago because of his experience and his competence, but this privilege is refused to him because Manfred is not a party member. Ironically, it is Manfred who hears by accident about the plans of the mill to close down the old Martin furnaces – and to lay off the smelters. When the other men learn about the plans they enter the barricades for their jobs and force the plant′s management to face the workers′ demands and criticism.