The best Daniel Mendaille’s movies

Out of prison after a five-year stretch, jewel thief Tony turns down a quick job his friend Jo offers him, until he discovers that his old girlfriend Mado has become the lover of local gangster Pierre Grutter during Tony's absence. Expanding a minor smash-and-grab into a full-scale jewel heist, Tony and his crew appear to get away clean, but their actions after the job is completed threaten the lives of everyone involved.

Ex-convict Georges Manda returns to the free world determined to go straight and takes a steady job as a carpenter. Unable to completely shake his connections with the underground, he meets with a former prison mate, older gangster Félix Leca, who introduces him to his mistress, the sweet but guarded Marie "Casque d'Or". Marie and Georges fall into a passionate relationship, driving Félix to do everything in his power to ruin the couple.

Lola Montes, previously a great adventurer, is reduced to being the attraction of a circus after having been the lover of various important men.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

A young woman has three suitors on her father's logging ranch on the Quebec frontier.

During the First World War, before joining a squadron at the front in 1918, Herbillon (Jean-Pierre Aumont) has a liaison with Helene (Annabella), a married woman. The young man discovers that his mistress is none other than the wife of Maury (Charles Vanel), an aviator friend.

The picture tells of a mine disaster where German miners rescue French miners from an undergound fire and explosion. The story takes place in the Lorraine/Saar region, along the border between France and Germany.

The story of how the people of Paris cope with the strains and struggles of war, from the siege of the city by the Prussians during the Franco-Prussian War of 1871 to the invasion by the Germans in World War II.

Juanillo is in love with Dolores, the daughter of the owner of an inn. He likes to sing, she likes dancing. After the village festivals, where Juanillo has acted as a bullfighter and Dolores has performed, he has been hired as bullfighter for a tour in America. They exchange vows, but their letters will be intercepted.