The best Paul Barge’s movies

Gentleman gangster Max and his partner, Riton, pull off their last, most successful heist and find themselves comfortable enough to retire in the style they enjoy. However, Max confides the details of the theft to his younger mistress, Josey -- who has secretly taken up with ambitious young rival gangster Angelo. Angelo then has Riton kidnapped and demands the stash of gold as ransom, which threatens Max's dreams of the perfect retirement.

Ex-convict Georges Manda returns to the free world determined to go straight and takes a steady job as a carpenter. Unable to completely shake his connections with the underground, he meets with a former prison mate, older gangster Félix Leca, who introduces him to his mistress, the sweet but guarded Marie "Casque d'Or". Marie and Georges fall into a passionate relationship, driving Félix to do everything in his power to ruin the couple.

She's working in a big store, he's a typographer and they lost their winning lottery ticket.

Shy, timorous bank clerk, Fernand Jérôme, prevents -unwillingly of course - a gang led by "Le Grand J" from robbing the "Crédit Populaire", where he works. Having become a hero out of the blue, this new status allows him to woo Renée, the daughter of chief inspector Merlerin. What Merlerin does not know is that the man he has been trying to arrest for years, "Le Grand J" is in fact Joseph Jérôme, Fernand's father, who has disappeared for years...

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Irène is the unhappy wife of a wealthy publisher, Jacques Voisin-Larive, who cares about her no more than a beautiful piece of furniture. Her meeting with Étienne, a young cabinetmaker with whom she falls in love, turns her dismal existence upside down. Not wanting to reveal her condition to her lover, she pretends to be a modest maid, employed by the Voisin-Larive. At the end of a weekend spent with her lover, Irène discovers that she is pregnant. The fragile balance of their existence is suddenly broken. Taking the initiative, she reveals her affair to Jacques and tells him about her desire to divorce. But her husband has no intention of giving her back her freedom...

Deals with the ordeals of a crude washerwoman in the chic court of Napoleon the First. Based on the play of the same name.

Between eleven o’clock and midnight one evening, a notorious trafficker Jérôme Vidauban is shot whilst walking in a tunnel in Paris. The case is assigned to Inspector Carrel, who is Vidauban’s perfect double. Using his resemblance to the arch criminal, Carrel manages to infiltrate in Vidauban’s circle of acquaintances and contacts. He becomes embroiled in a bizarre web of intrigue and discovers no shortage of possible murder suspects, all of whom appear to be surprised to see him still alive.