The best Céline Bernier’s movies
We present our ranking of the best Céline Bernier’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Céline Bernier.
The Long Swift Sword of Siegfried
4.2/10
An "adults only" retelling of the legend of Siegfried.
C'est jeune et ça sait tout!
4.5/10
When Charles Le Braque learns that his boss' 17 years old daughter is pregnant, he fears that his 16 years old nice Joel from France, who's spending her vacation with them in Canada, might fall into the same trap. So he and his wife decide to give her the lecture of plants and bees... but it turns out that she's already well informed, gives them a lecture about simultaneous orgasms. She inspires the sexually repressed couple to start experimenting with "modern" forms of sex.
There's Always a Way to Find a Way
4.4/10
The Apprentice
5.6/10
In Montréal, Jean-Pierre is fired on the set of a TV commercial where he's an apprentice technician. He's penniless, behind on his rent, with a thin resume and no college units. He has a fiancée, Michelle, but his head is turned by a free-spirited model, from the U.S., who saw him being fired and comes to his flat to apologize. She's Elizabeth, a combination of feckless innocence and sexual freedom. Jean-Pierre borrows money from his outlaw friend, Dock, and buys clothes to impress Elizabeth. Soon he's sleeping with her, and he pulls a theft with Dock to get money to take her to Acapulco. Michelle tries to bring him back to her orbit. Is there a way out for Jean-Pierre?
Virgin Lovers
3.7/10
A priest and nun, haunted by physical longings, leave their respective callings. Even after their desires are fulfilled they experience crisis of faith.
Mon oeil
One evening a man watches eight movies simultaneously on television.
The End of Summer
7.2/10
A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.
