The best Bruno Todeschini’s drama movies

A French woman mourning over the death of her husband three years prior is courted by a Swedish co-worker.

Paris, Kingdom of France, August 18, 1572. To avoid the outbreak of a religious war, the Catholic princess Marguerite de Valois, sister of the feeble King Charles IX, marries the Huguenot King Henry III of Navarre.

A series of events unfold like a chain reaction, all stemming from a minor event that brings the film's five characters together. Set in Paris, France, Anne is an actress whose boyfriend Georges photographs the war in Kosovo. Georges' brother, Jean, is looking for the entry code to Georges' apartment. These characters lives interconnect with a Romanian immigrant and a deaf teacher.

Quick-witted, well-read cultured types revolve around each other in a delightful potpourri of theatre, romanticism and theft.

The film tells the tale of a widowed film director who is in the middle of making a film about an atypical diplomat inspired by his brother. While he has started a new life with Sylvia, he still mourns the death of a former lover, Carlotta, who passed away 20 years earlier; then Carlotta returns from the dead, causing Sylvia to run away.

Thomas has been estranged from his brother Luc for several years, due in part to his difficulties in dealing with Luc's homosexuality. But when Thomas is diagnosed with a rare blood disease, which is difficult to treat and impossible to cure, he decides he wants to bring Luc back into his life. The brothers soon become inseparable, and their new relationship begins to alienate their significant others.

Christine is a wheelchair-using woman with severe multiple sclerosis. In order to escape her isolation, she makes a journey to Lourdes, the iconic site of pilgrimage in the Pyrenees Mountains, along with other people with varying disabilities. During her stay she begins to regain the use of her limbs. This is in contrast with others, who appear to have stronger faith than Christine but experience only slight, passing improvement. Her fellow pilgrims are eager to call it a miracle; however, as the pilgrimage draws to a close, exactly how accurate a claim this is becomes uncertain.

Janine works in a bank giving credits to clients to buy houses and receives the offer of a promotion to work in a future branch in China for which she takes Mandarin classes. One night he travels from work to his home on the subway. There is attacked by two young delinquents a very old woman and Janine tries to avoid it. The young follow her and it is then that they steal and attack her sexually. After recovering from the blows and the anguish he gets up and sees his attackers raping a helpless young girl. Janine, instead of taking some initiative to stop them, flees home. From that situation her life is disrupted and her job promotion to China, her consolidated partner and her present as an independent woman become secondary and worthless issues. Janine lives in anguish and tormented by the memory of that traumatic situation. To try to recompose himself, he travels to the countryside to see his father who is a widower and is trying to rebuild his life after the death of his wife.

The life and death of the Scottish monarch.

A young Jewish girl, Sarah, is looking to escape the clutches of the Third Reich after seeing her parents and sister brutally slain by a smuggler who betrayed them while attempting to escape to England. Terrified, she is sheltered by her childhood friend Jean, a homosexual in a clandestine relationship with his lover Philippe.

Ivan and Chiara meet on a Sicilian island to prepare the wedding for Ivan’s brother and Chiara’s best friend. Despite the fact that Ivan is determined not to repeat the failure of his last relationship and Chiara does not want to jeopardise her marriage, the two fall in love with each other. They resolve to live their relationship for only a few days and then break it off when the wedding guests arrive on the island. But can love be controlled? Or is it love that controls us?

Amidst the impersonal hubbub of Paris' Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit.

Friends of painter Jean-Baptiste Emmerich gather at a Paris railroad station for a four-hour journey to Limoges, where Emmerich wanted to be buried. The dozen travelers include art historian François and his lover Louis, who develops an interest in teenage Bruno. Traveling parallel with the train is a station wagon with Jean-Baptiste's body, and this vehicle is driven by Thierry, husband of Catherine, who's on the train with their daughter. François plays a taped interview with Jean-Baptiste, revealing his sexual appeal to both men and women. Lucie is convinced that she was his main love. Also on board is his nephew, Jean-Marie and Jean-Marie's estranged wife Claire. After the funeral in "Europe's largest cemetery," the story continues in the mansion of Jean-Baptiste's brother Lucien.

Three women, three generations, two secrets. In the early 1970s, a bomb exploded on board the Swissair flight 330 to Tel Aviv. Isabelle's husband also died. The young, very pregnant widow feared that her lover, the Palestinian activist Djibril, might be entangled in it ... Now, 47 years later, Isabelle finds out that her granddaughter Anaïs has converted to Islam. But why does the young student keep her new faith secret from the family? Anaïs's mother, Léa, immediately rings the alarm.

Camille, a young idealistic photojournalist, goes to the Central African Republic to cover the civil war that is brewing up. What she sees there will change her destiny forever.

A teenager who went missing and was presumed dead returns home after eight years to find a family deeply affected by his disappearance. Gradually, doubts arise about whether he really is the missing boy or an impostor.