The best Michaël Cohen’s movies
Today we present the best Michaël Cohen’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Michaël Cohen’s movies.
Them
6.4/10
Lucas and Clementine live peacefully in their isolated country house, but one night they wake up to strange noise. They're not alone... and a group of hooded assailants begin to terrorize them throughout the night.
La Belle Époque
7.4/10
Victor, a disillusioned sexagenarian, sees his life turned upside down on the day when Antoine, a brilliant entrepreneur, offers him a new kind of attraction: mixing theatrical artifices and historical reconstruction, this company offers his clients a chance to dive back into the era of their choice. Victor then chose to relive the most memorable week of his life: the one where, 40 years earlier, he met the great love.
The New Adventures of Aladdin
4.8/10
A pair of losers working at department store plan to rob the place after it closes. When a bunch of kids show up begging for a story, the men launch into an improvised version of Aladdin.
Dalida
6.9/10
Based on the true story of acclaimed music icon "Dalida" born in Cairo, who gained celebrity in the 50s, singing in French, Spanish, Arabic, Hebrew, German, Italian, playing in awarded Youssef Chahine's picture "Le Sixième Jour", and who later committed suicide in 1987 in Paris, after selling more than 130 million records worldwide.
Bangkok Revenge
4.9/10
Manit (Jon Foo) witnessed the murder of his parents when he was just 10 years old. The killers shot him in the head, but he miraculously survived. However, the damage to his brain left him unable to experience regular human emotions. A martial arts master saved him and took him in. Twenty years later, Manit has become a master of martial arts himself. He returns to the scene of the crime, seeking justice.
The Full House
5.3/10
Antoine, a bachelor party-goer, gets new roommates: Jeanne and her two children.
Puerto Ricans in Paris
5.4/10
NYPD detectives Luis and Eddie visit Paris to help gorgeous French designer Colette catch the black market thief who's ripped off her new handbag design. While Luis' girlfriend Vanessa and Eddie's wife Gloria remain in New York, the hopelessly unhip odd couple stumble through a glamorous high-fashion world brimming with charming cafes, wild nightclubs and corporate treachery.
Cavalcade
4.7/10
An accomplished playboy Leo neglects his girlfriend and enjoys parties. His girlfriend parts from him and then, when he wants to see her once more, he has an accident. He survives, but his whole life is now to be changed. This film is about fetching through the problems of having reduced abilities. Fortunately, he's not alone and his friends are staunch. In the end, he becomes content wheelchair bound. He is grateful for what he has...and God has given to him.
Tout nous sépare
5.3/10
A middle-class house in the middle of nowhere. A council estate in Sète. A mother and daughter. Two childhood friends. A vanishing. Blackmail. A clash between two worlds.
Shall We Kiss?
6.7/10
When Gabriel and Emilie meet by chance, he offers her a ride, and they spend the evening talking, laughing and getting along famously. At the end of the night, Emilie declines Gabriel's offer of "a kiss without consequences". Emilie admonishes him that the kiss could have unexpected consequences, and tells him a story, unfolding in flashbacks, about the impossibility of indulging your desires without affecting someone else's life.
The Law
6.5/10
Directed by French Director Christian Faure and released in 2014, The Law brilliantly traces three days, in late Fall 1974, of stormy debate in the French National Assembly, around a bill which would make "voluntary termination of pregnancy" legal. Behind this bill stands a lone woman brilliantly played by a remarkable Emmanuelle Devos (also in The Other Son): Simone Veil the Minister of Health in the Jacques Chirac government during the presidency of Valéry Giscard d'Estaing. During these three days of violent debate Veil, a Jew and Holocaust survivor, is spared nothing: political negotiations, solitude, sparring arguments, insults and violence to her family. In spite of all of this, Veil never wavers.
The Art of Love
6.1/10
The Art of Love is composed of several chapters, which follows several Parisian couples.
The Liars
5.8/10
Zac is a well-respected French filmmaker who creates a major uproar when for no apparent reason he suddenly vanishes from his posh Parisian apartment leaving behind his lover Helene, a popular star. Marcus, his producer searches for eight months before locating Zac who has since become a homeless street bum in an expensive neighborhood. Marcus sends Zac to a posh hotel. He then sends Daisy, an ambitious secretary and aspiring screenwriter to learn what happened to the great director. It takes a lot of mutual verbal sparring and false turns (which are presented as creatively filmed vignettes that are done using a variety of techniques) from Zac before he finally tells her the truth. The two then decide to turn the story into a film. As they write, Daisy and Zac slowly fall in love. At the same time, Marcus has his hands full trying to avoid some tough Russian Mafiosos who want the money they invested back.
Family Hero
5.4/10
A story of a cabaret in Nice called "Le perroquet bleu" ("The blue parrot"). The innkeeper, Gabriel, dies at the beginning of the movie and leave his business to his godchildren : Nino and Marianne, whom father had been taken under Gabriel's wing when he was fifteen years old. After the reading of the will, the fate of "The Blue Parrot" is in their hands.
One Fine Day
5.4/10
La vie est bien ingrate pour François Berthier : un chien hurle toute la nuit et l'empêche de dormir, la machine a café lui explose au visage, il pleut, le chef de bureau à la banque l'humilie et le menace de renvoi. Et puis, du jour au lendemain, tout ce qui était violent ou pénible pour François se transforme comme par miracle. Que se passe-t-il ? Pourquoi le monde devient-il si brusquement doux
La petite Jérusalem
6.5/10
An orthodox Jewish teen living with her family in France attempts to balance her religious upbringing with her increasingly complex view of the outside world.
Une Vie à t'attendre
5.3/10
A married Frenchwoman living in Brazil returns to her native country to visit her ailing elderly mother. There, she ends up rekindling a love affair with a man whom she hadn't seen in twelve years.
L'Invitation
5.3/10
In the middle of the night, Léo wakes up his best friend Raphaël. His car has broken down an hour away from Paris. No way is Raphaël going to pick him up, that is until the woman of his dreams kicks him out of bed. Once he gets to where Léo is waiting, he discovers there is no breakdown, but what is there waiting for Raphaël?
What Love Means
8.1/10
The movie, for the most part, charts the AIDS epidemic in France from 1980 – present through the microcosm of a family, but particularly through their gay son Nicolas, who narrates the story.
Mademoiselle Drot
7/10
