The best Branislav Zeremski’s movies

The basic plot revolves around drug dealer Limeni and two men, Lemi and Kiza, who are trying to transport their dead grandfather for burial, until their car breaks down and they end up struggling to get him home onboard a train. This is when these two plots intersect and all hell breaks loose.

When it comes to crime, Belgrade is same as any other modern metropolis, except for having its own serial killers. That blank is filled when a flower salesman begins strangling women. A popular, but very disturbed rock star soon becomes telepathically connected with the killer.

Love triangle story between the village gendarme Đorđe, his wife Katarina and the young disabled war veteran Gavrilo during the time between First Balkan War and World War I.

Belgrade, the summer of 1991. Yugoslavia is falling apart. Gavran can't get a driving licence because he is color blind. He is a rural Bosnian introvert obsessed with trucks. So, as soon as he is released from prison, he steals a truck to go on a joyride. Suzana, a city girl, discovers she is pregnant, but until she's due for an abortion, she decides to go to Dubrovnik. She hitchikes and Gavran almost runs her over. She is unhurt, but she blackmails him to take her to Dubrovnik. Two people from different worlds, equally removed from the real one. For him she is the first woman he can talk to; for her he is just another idiot to add to the long list of them that she has so far compiled. But the pressure of danger and the intimations of war force them together. The world about them has become so absurd that they seem to each other the only sober people left.

Zulawski tackles Modest Mussorgsky’s famous opera about the bloody battle for ascendancy to the throne of Russia in the 17th-century! With a score conducted by Mstislav Rostropovich, Zulawski adds extra layers of devilish meta-textual embellishment by composing the film’s imagery as though we are watching a theater piece of a film crew making a movie about the opera of “Boris Godounov”! As well, the picture is full of delightful anachronisms that mock the then-contemporary Russian government, alongside jabs at other 20th-century dictatorships. So incensed was Rostropovich by Zulawski’s juiced final product — one that took liberties with the narrative’s sexual thrust, amongst other things — that he (unsucessfully) took Zulawski to court for “the violation of the Russian soul”! “Impressive in its use of whirling camera movements as well as mega close-ups of the contracted faces of its singers, ‘Boris Godounov’ is one of the most original opera movies ever made”

The exploits of a depressed architect in Belgrade as he wanders about searching for the future in a land where the future no longer exists. Handsome Nikola is in his mid-thirties. He earned the nickname Champ because he used to race speedboats. He makes a decent living as a free-lance architect and his apartment is spacious and comfortable. Ana is attracted by the Champ's good looks and apparent prosperity. He is always pensive though; even when he is out drinking at the local clubs with his companions he cannot help but brood about the state of Belgrade. Though the city appears fairly normal on the outside, the presence of the war is signalled when a reluctant conscript in the army is dragged away.

After the end of World War II, a young partisan falls in love with a German secretary who is captured and imprisoned by partisans. He decides to free her and escape with her.

An orphan finds a family, old couple that has no children, day before Christmas. The twists and turns of this melodramatic comedy is inspired by timeless words of Branislav Nušić.

The movie takes us through the saga of the actor, Veljko Radisavljević, who has the impression that the entire universe has conspired against him.