The best Bharathi Rao’s movies
Today we present the best Bharathi Rao’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Bharathi Rao’s movies.
Varnapakittu
5.8/10
A young man gets angry with his father and runs away to Singapore. He decides to impress his father with his wealth and persuades a girl to masquerade as his fiancee.
Kunwara Baap
7.2/10
Born without any knowledge of his parentage, Mahesh drives a bicycle rickshaw for a living in a town in India, prays to Bhagwan Shri Kishan, and lives in an unhealthy shanty hut. He is friendly with Sheela, who works as a maidservant, hopes to marry her someday, much to the chagrin of Kalu Dada, who lusts after Sheela. One night while returning home he comes across an abandoned male baby near Bhagwan Shri Ganesh's Mandir. He looks for the family of this child, asks for help from the Mandir's Poojary, as well as a Mullah and a Hawaldar, all in vain. When he tries to abandon the child, he is literally forced to adopt him, and when he does so, he faces considerable opposition from his neighbors, and ends up hating the child.
Narasimham
7.6/10
Poovalli Induchoodan (Mohanlal) is sentenced for six years prison life for murdering his classmate. Induchoodan, the only son of Justice Maranchery Karunakara Menon (Thilakan) was framed in the case by Manapally Madhavan Nambiar (Narayanan Nair) and his crony DYSP Sankaranarayanan (Bheeman Raghu) to take revenge on idealist judge Menon who had earlier given jail sentence to Manapally in a corruption case. The story begins with Induchoodan released and his father & mother coming to stay with him.
Kurukshetra
6.2/10
An adaptation of the Mahabharata is mainly told through the eyes of the Kaurava prince Duryodhana & gives insights on how Duryodhana, who could have been one of the greatest warriors and rulers, ends up being manipulated, and eventually meets an untimely end.
Devasuram
8.7/10
Neelakantan, heir to his father's fortunes, is an apparent menace to society. He once belittles a dancer but later they fall in love. Shekharan, an arch enemy, kidnaps his lover due to an old enmity.
Mastana
7.2/10
A poor and lonely woman strikes up a friendship with a rich but neglected child, but her parents refuse to let their child see her - until she falls gravely ill.
Raaj
6.3/10
Hailing from a small village, Muthuraj aspires to be a great actor someday. He goes to the city to pursue his dreams and gets the role of a junior artist. His diligence gets him into the good books of an assistant director who casts him as lead in his new film. But the lead actress leaves the project when she discovers this. Or is this the real reason? Raaj the Showman finds out.
Doddmane Hudga
6/10
Surya, a boy belonging to a big family of the town, moves out of the house when ignored by his father Rajivappa. However, after a few years, he comes back to rescue his land against Babu, an evil man.
Mehrban
7.5/10
Mehrban is a 1967 Hindi language film written and directed by A. Bhimsingh. It is a remake of Bhimsingh's own Tamil film Padikkadha Medhai (1960) which itself was a remake of the 1953 Bengali film Jog Biyog, based on the novel of the same name by Ashapoorna Devi.
Avalukkendru Oru Manam
7.5/10
The film deals with a triangular love with a good measure of values of the high society and those of liberal culture of the 60s.
Nakshatratharattu
5.8/10
The story of Sunil (Kunchacko Boban) and Hema (Shalini) who meet each other while on a bus trip.
Mazhathullikkilukkam
6.3/10
Solomon was practically raised by his teachers Anna and Mari. He mysteriously shows up one day years later when they are both retired in a hill-station, offering to live with them and take care of their affairs. The teachers are elated, and Solomon quickly works his magic to liven up things, in the process starting a little romance with the teachers' nurse . Unfortunately, a turn of events brings out the real reason behind Solomon's sudden migration to the hills.
Gange Gowri
9/10
The film encompasses the story of Daksha yajna. It depicts how the daksha yajna was desecrated following the jumping into the fire by Lord Shiva's wife Dakshayani. Following this, Lord Shiva marries Goddess Parvati. Later, the Devatas Shiva, Ganga, Gowri all take birth as avatars on earth in the city of Kashi. Eventually, Shiva, Gowri and Ganga all get married in their earthly avatars.
Santhwanam
Thampi (Nedumudi Venu) and his wife become alone in their life when their beloved son marries against their wish and goes to U.S. As a surprise on Thampi's sixtieth birthday, their grand-daughter (Meena) comes alone from U.S. to live with them.
Uppu
6.9/10
Story begins when old patriarch Moosa Meleri arrives in a quiet Kerala village with his adopted son Abu and daughter-in-law Amina. He has lost all his money in litigation. Despite their hardships they are happy until their rich landlord covets Amina. Heartbroken, Amina is forced to divorce Abu and become the landlord's second wife. Twenty years later Amina is alone while her father still indulges in litigations, her son leads a dissolute life and her daughter elopes with the chauffeur.
Bangarada Manushya
9/10
Rajeeva comes to the village to visit his sister only to find that she's in financial trouble and has lost her husband. He decides to stay and help her out.
Geet Gaaya Pattharonne
6.6/10
An impoverished sculptor marries his inspiration but is then betrayed by her.
Bannada Gejje
Menaka, a dancer, gives up her love for Manu as her brother, Guru, threatens to kill him due to personal vengeance. However, Manu refuses to give up and devises a plan to win her back.
