The best Bharathi Rao’s drama movies
Today we present the best Bharathi Rao’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Bharathi Rao’s movies.
Kunwara Baap
7.2/10
Born without any knowledge of his parentage, Mahesh drives a bicycle rickshaw for a living in a town in India, prays to Bhagwan Shri Kishan, and lives in an unhealthy shanty hut. He is friendly with Sheela, who works as a maidservant, hopes to marry her someday, much to the chagrin of Kalu Dada, who lusts after Sheela. One night while returning home he comes across an abandoned male baby near Bhagwan Shri Ganesh's Mandir. He looks for the family of this child, asks for help from the Mandir's Poojary, as well as a Mullah and a Hawaldar, all in vain. When he tries to abandon the child, he is literally forced to adopt him, and when he does so, he faces considerable opposition from his neighbors, and ends up hating the child.
Devasuram
8.7/10
Neelakantan, heir to his father's fortunes, is an apparent menace to society. He once belittles a dancer but later they fall in love. Shekharan, an arch enemy, kidnaps his lover due to an old enmity.
Kurukshetra
6.2/10
An adaptation of the Mahabharata is mainly told through the eyes of the Kaurava prince Duryodhana & gives insights on how Duryodhana, who could have been one of the greatest warriors and rulers, ends up being manipulated, and eventually meets an untimely end.
Doddmane Hudga
6/10
Surya, a boy belonging to a big family of the town, moves out of the house when ignored by his father Rajivappa. However, after a few years, he comes back to rescue his land against Babu, an evil man.
Mastana
7.2/10
A poor and lonely woman strikes up a friendship with a rich but neglected child, but her parents refuse to let their child see her - until she falls gravely ill.
Varnapakittu
5.8/10
A young man gets angry with his father and runs away to Singapore. He decides to impress his father with his wealth and persuades a girl to masquerade as his fiancee.
Raaj
6.3/10
Hailing from a small village, Muthuraj aspires to be a great actor someday. He goes to the city to pursue his dreams and gets the role of a junior artist. His diligence gets him into the good books of an assistant director who casts him as lead in his new film. But the lead actress leaves the project when she discovers this. Or is this the real reason? Raaj the Showman finds out.
Mazhathullikkilukkam
6.3/10
Solomon was practically raised by his teachers Anna and Mari. He mysteriously shows up one day years later when they are both retired in a hill-station, offering to live with them and take care of their affairs. The teachers are elated, and Solomon quickly works his magic to liven up things, in the process starting a little romance with the teachers' nurse . Unfortunately, a turn of events brings out the real reason behind Solomon's sudden migration to the hills.
Avalukkendru Oru Manam
7.5/10
The film deals with a triangular love with a good measure of values of the high society and those of liberal culture of the 60s.
Nakshatratharattu
5.8/10
The story of Sunil (Kunchacko Boban) and Hema (Shalini) who meet each other while on a bus trip.
Mehrban
7.5/10
Mehrban is a 1967 Hindi language film written and directed by A. Bhimsingh. It is a remake of Bhimsingh's own Tamil film Padikkadha Medhai (1960) which itself was a remake of the 1953 Bengali film Jog Biyog, based on the novel of the same name by Ashapoorna Devi.
