The best Betty Compson’s documentary movies

Betty Compson

Betty Compson

19/03/1897- 19/04/1974
We present our ranking of the best Betty Compson’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Betty Compson.

Brother, Can You Spare a Dime?

Brother, Can You Spare a Dime?
7.1/10
  • Genre: Documentary
  • Release: 06/08/1975
  • Character: (archive footage)
Period music, film clips and newsreel footage combined into a visual exploration of the American entertainment industry during the Great Depression.

The House That Shadows Built

The House That Shadows Built
6.8/10
  • Genre: Documentary
  • Release: 08/07/1931
  • Character: (archive footage)
The House That Shadows Built (1931) is a short feature film, roughly 55 minutes long, from Paramount Pictures, made to celebrate the 20th anniversary of the studio's founding in 1912. The film was a promotional film for exhibitors and never had a regular theatrical release. The film includes a brief history of Paramount, interviews with various actors, and clips from upcoming projects (some of which never came to fruition). The title comes from a biography of Paramount founder Adolph Zukor, The House That Shadows Built (1928), by William Henry Irwin.

Fragments: Surviving Pieces of Lost Films

Fragments: Surviving Pieces of Lost Films
7.6/10
Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).

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