The best Beata Tyszkiewicz’s movies
If you love cinema, you will share this ranking of the best Beata Tyszkiewicz’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Beata Tyszkiewicz.
Sexmission
7.5/10
Two scientists are chosen as guinea pigs for a time experiment: they are placed in hibernation and should be brought back to life after three years. In the meantime, however, World War III breaks out and life has been wiped off the surface of Earth. When they wake up, it turns out that not only 50 years have passed but also that they are the only living specimens of the male sex in a new, underground society composed exclusively of women.
The Silent Touch
6.3/10
Henry Kesdi is a silenced classical composer and a survivor of the Holocaust. He is coaxed out from retirement by an inspired musicologist, Stefan, who convinces him to compose a complex symphony on his neglected piano. As a help Kesdi gets his new musical secretary. His loyal wife reluctantly accepts her as his young lover.
The Saragossa Manuscript
7.8/10
In the Napoleonic wars, an officer finds an old book that relates his grandfather's story, Alfons van Worden, captain in the Walloon guard. A man of honor and courage, he seeks the shortest route through the Sierra Morena. At an inn, the Venta Quemada, he sups with two Islamic princesses. They call him their cousin and seduce him; he wakes beside corpses under a gallows. He meets a hermit priest and a goatherd; each tells his story; he wakes again by the gallows. He's rescued from the Inquisition, meets a cabalist and hears more stories within stories, usually of love. He returns to Venta Quemada, the women await with astonishing news.
King Size
7.3/10
A comedy. The story follows a young scientist in the contemporary world, who actually came from the world of dwarves, thanks to a magic potion, held by the Big Eater, ruler of the dwarves. The dwarf kingdom, Shuflandia, exists in a cellar of a library, and only the most obedient get the chance to grow to king size and inhabit the larger world. Once there, nobody wants to return to Shuflandia. Also, there are no women in Shuflandia.
Two Moons
6.6/10
Panoramic view of a resort town in the summer of 1930. In seventeen episodes we get a glimpse at the microcosm of its colourful inhabitants and visitors, Poles and Jews, the high society and the desperately poor.
The Doll
6.9/10
Set in the 19th century Warsaw. The indolence of aristocrats who, secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to "the doll's" impecunious but influential father, the girl becomes aware of his affection.
Zemsta
6.2/10
Edith and Marcel
5.9/10
This tragic musical drama chronicles the star-crossed love between beloved French singer Edith Piaf and World Middleweight boxing champion Marcel Cerdan who died in a plane crash. The tumultuous affair is paralleled by the love affair of a French POW and his young pen pal who get engaged after writing to each other for four years and having never met. Their romances are framed by the sad, torchy songs of Piaf.
The Ashes
7.1/10
Set in the time of Napoleon wars, shows how the wars swept over the unfortunate Polish country at the beginning of the XIX-th century. Story revolves around the Polish legion under command of General Dabrowski, who then fought on Napoleon's side with the hopes of Poland's revival.
Vabank II
7.4/10
A sequel to "Vabank" (1981), introduces the same characters entangled in a duel between a former safecracker and a crooked bank manager.
The Contract
6.8/10
Bearing traces of the old Anton Chekhov play The Wedding, The Contract is set during an "arranged" ceremony. The bride and groom barely know each other, but this matters not at all to their tradition-bound families. At the last minute, the bride balks. Only slightly nonplused, the groom's father, a status-seeking doctor, decides to go ahead with the expensive reception anyway. Polish director Krzysz Zanussi uses this scenario to stick it to capitalist corruption, and to society's destruction of the individual spirit. Leslie Caron, the one recognizable member of the cast, is outstanding as a wealthy, over-the-hill ballerina who happens to be a kleptomaniac.
Studniówk@
Nie kłam kochanie
4.6/10
"Nie kłam, kochanie" nie jest bajką. To miłosna historia, podana lekko, jednak nie pozostająca w oderwaniu od życia, w której wszelkiego rodzaju zawirowania towarzyszące jej bohaterom wypływają z sytuacji realnych. Ma pokazać, w jaki sposób kłamstwo i manipulacja może stanąć w szranki z uczciwością, prostolinijnością i naiwnością. I – kto kogo "przechytrzy", kto wygra ten pojedynek, w którym stawką jest miłość… A co robi w naszej historii kaktus? Cóż, dziewczyna, która kocha kaktusy i mówi do nich po imieniu to chyba jedyna osoba, która potrafi w kłamcy i cyniku dostrzec coś dobrego i zmienić go… A wtedy – nawet kolczasty kaktus potrafi zakwitnąć pięknym kwiatem. W większości miłosnych historii dotąd królowały róże. W naszej – kaktusy. Też z kolcami. Ale z jakim charakterem!
Pal System
5.3/10
A group of students of the last year of the local motor technical school is slowly entering adult life. An atmosphere of emptiness and hopelessness reigns around them. Young people have no idea for their future, but they do not want to duplicate the pattern of a poor existence according to which their parents live. One of them, Arek, had a chance to break out of this vicious circle for a moment. The possibility of a brilliant career, fame and a lot of money was opening up to him, the Polish Junior Champion in Kickboxing. Serious heart disease shattered these plans. Arek dreams of renting a flat and freeing himself from his alcoholic father. Together with Lalka, Panicz, Mucha and Renata - his closest friends, he often visits the Kosmos pub, owned by the local mafioso Marsel. One day Marsel offers Arek and Mucha a jump: they are to break into the apartment on the top floor of a skyscraper.
One Room Tenants
6.8/10
A subjective adaptation of a well-known autobiographical novel by Zbigniew Unilowski (screenplay by Wojciech Jerzy Has with dialogues by Stanislaw Dygat). The adventures of the tenants of a sublet room in a Warsaw townhouse inhabited mostly by students and novice writers, presented against the social context of the 1930s.
Korn's Password
5.2/10
Everything for Sale
6.8/10
Wajda's homage to Zbigniew Cybulski, the "Polish James Dean" who starred in the director's ASHES AND DIAMONDS and died young. The movie follows the tribulations of a director attempting to make a movie with a Cybulski-like star who never shows up.
Beautiful stranger
5.7/10
Strangers on a train. Late in 1916, a brave and idealistic Russian officer in his 20s comes to his superiors' attention when he stands up to Rasputin at a nightclub. He's asked to carry important papers from Petersburg to Stockholm by train in the dead of winter, a dangerous mission. The first-class carriage may be full of spies, and soon after the train embarks, the man in the next compartment searches Obozow's luggage. A beautiful stranger approaches him, a woman older than he, on a concert tour; a game of cat and mouse ensues with patriotism and emotion sometimes on opposite sides. Can Obozow consummate the affair, reach Stockholm, and maintain his ideals?
Lovers
4.9/10
Beauty Zosia is a “hunter” by nature: she very professionally captivates rich men, draws money from them, and then throws deceived fans and plans a new victim. Once at the opening day, Zosya meets an irresistible macho, photo artist Mateusz, and, contrary to her own principles, falls in love with him. But after a while she begins to realize that Mateusz is also a “hunter” and that they are colleagues ...
Sexchange
2.6/10
A zany and ribald farce about a machismo-fueled, philandering president, who strongly detests homosexuals and any other threats to his masculinity. His wife spends her days in utter misery, bemoaning her rapidly advancing age and counting her husband's lovers. One evening, when Mr. President beds his sexy female assistant, it wreaks a level of change that the man never could have foreseen.
