The best Ashton Dearholt’s movies

Ashton Dearholt

Ashton Dearholt

If you love cinema, you will share this ranking of the best Ashton Dearholt’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Ashton Dearholt.

Tarzan and the Green Goddess

Tarzan and the Green Goddess
4.4/10
Tarzan retells the story of a trip to Guatemala in which the ape-man had gone to aid a friend in searching for a very valuable totem pole called the Green Goddess. Second of two feature versions of the 1935 serial film "The New Adventures Of Tarzan", culled from the serial's last 10 episodes.

The New Adventures Of Tarzan

The New Adventures Of Tarzan
5.3/10
A serial in 12 chapters. Tarzan goes to Guatemala to find his lost friend, D'Arnot. On the way he helps Major Matling search Mayan ruins for hidden jewels and an idol containing the formula for a powerful explosive. D'Arnot and the idol are rescued, but the idol falls into the clutches of the explorer Raglan.

The Silk Lined Burglar

The Silk Lined Burglar
  • Release: 31/03/1919
Gentleman crook Boston Blackie answers a want ad for an expert safecracker placed by Doris Macon, who claims a moral right to the safe's contents. She hires Blackie, and they break into the house where the safe is kept. Blackie blows up the safe just as owner Captain von Hoffmeier returns home. Doris disappears with papers from inside the safe, while Blackie takes phonograph records, which, when played with a special needle, reveal secrets that implicate von Hoffmeier as a German political spy.

The Two-Soul Woman

The Two-Soul Woman
  • Release: 06/05/1918
Two men, one of them a villainous hypnotist, contend for the same woman, unaware that she suffers from dual personality disorder.

The Masked Heart

The Masked Heart
  • Genre: Drama
  • Release: 02/07/1917

A Yankee Go Getter

A Yankee Go Getter
  • Character: Tronto
Popular action heroine Neva Gerber played the dual roles of Lucia and Vera Robilant in this low-budget silent melodrama produced by Benjamin F. Wilson, Gerber's frequent collaborator. Two almost identical women claim ownership to a pocketbook found by author turned adventurer Barry West (James Morrison). Barry is hired by nefarious Nicholas Lanza (Joseph W. Girard) to marry heiress Lucia, who surprisingly turns out to be one of the claimants. Meanwhile, Lucia's lookalike sister Vera is plotting to install herself as Lucia and claim the inheritance. After the wedding, Barry discovers a secret passage and finds the kidnapped Lucia. The villains are brought to justice and Barry and Lucia can finally plan a future together.

The Girl in the Dark

The Girl in the Dark
Lois Fox, upon whose shoulder is branded a Chinese idiograph resembling the letters "A. Y.," is rescued from a gang of Chinese ruffians by Brice Ferris. His servant Ming, in attempting to steal from her finger a ring that bears a mysterious green seal, is killed, and soon afterward a stranger named Strang arrives, also in search of the girl. Despite Brice's efforts to protect her, Lois is abducted and taken to the headquarters of Lao Wing, the leader of a secret Chinese society known as the Tong.

The Bride's Awakening

The Bride's Awakening
  • Genre: Drama
  • Release: 01/01/1918
A husband orders his wife to keep their marriage a secret, in order to better continue his affair with a married woman.

The Cabaret Girl

The Cabaret Girl
  • Genre: Drama
  • Release: 30/12/1918
A young woman moves to the city to become an opera singer, but ends up a cabaret singer. A copy exists at the Eye Film Institute.

The Innocence of Lizette

The Innocence of Lizette
5.4/10
  • Release: 24/12/1916
  • Character: Dan Nye
Lizette (Mary Miles Minter) is an orphan girl who is known to be very innocent. One day, the wealthy Henry Fauer (Eugene Forde) adopts her after seeing her selling news papers. She is now raised in his enormous mansion and is introduced to the posh life. Lizette, however, doesn't know how to deal with it and has no idea about acting like a real society woman.

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