The best Aris Servetalis’s movies

Exiled unjustly, convicted without trial, slandered without cause. Man of God depicts the trials and tribulations of Saint Nektarios of Aegina, as he bears the unjust hatred of his enemies while preaching the Word of God.

A nurse, a paramedic, a gymnast and her coach offer a service for hire wherein they stand in for dead people by appointment, hired by relatives, friends or colleagues of the deceased, to assist with the grieving process.

At a Greek hotel in the off-season, a chambermaid, a man obsessed with BMW cars, and a photo-store clerk attempt to film and photograph various badly re-enacted struggles between a man and a woman.

Aris, a solitary man in his late thirties, becomes a victim of an unexplained surge of memory loss disorders in his city and is forced to confront his severe amnesia through an experimental new treatment.

A man lives in his car. He’s 40 and separated from his wife and kids, who live in a different car. They meet in parking lots. A professional driver, the man delivers honey to a narcoleptic man and often dreams of his friend, who was killed when a hunter mistook him for a bear. Frequently late delivering honey, the man is fired, and his driving skills are questioned. Thrust into existential uncertainty, he abandons “car life” and joins a rogue motorbike gang.

Renos is an old-time waiter with a meticulous routine. He is a loner and an avid collector of information. His repetitive daily routine liberates him from the agony of pursuing the unknown. The unexpected events that invade his life hide many surprises.

Leonidas, a young, ambitious police officer, is assigned to a remote island in the Aegean Sea. He dreams of solving important crimes, but there are few to be found in the sleepy beach community where he is left to such menial chores. Each day at the town café, Leonidas and the other locals watch the beautiful Angeliki, the small islands most famous daughter, as she hosts a popular talk show on national TV. These daily rituals are shattered when the island experiences what appears to be an actual crime-the island drunk, Zacharias, is found dead at the base of a cliff. Eager to do some sleuthing, Leonidas soon finds clues that tie the victim to Angeliki, who returns to the island and joins the investigation.

Sofia and Eleni and Petros and Alexandros and Despina and Daphne. Familiar, people-next-door types with their obsessions, weaknesses, hang-ups. People who make the daily rounds in search of communication. Sofia, fragile and with no defenses, searches for the scent of life. Eleni tries to combine career and child, making the mistakes she blames her mother Despina for making. Alexandros, a full-fledged adolescent strives to be loved. Petros goes after lost relationships. Characters and the absences of characters. Relationships that are articulated and disarticulated. Through tender glances and open wounds. With an invitation open to all as an antidote. One that we have extended dozens of times while we wait and hope. So... let's go for an ouzo.

In 414 B.C., Aristophanes wrote the comedy Ornithes, in which two men leave their birthplace in search of a better life. They arrive in the woodland of the birds and meet Hoopoe, the man who became a bird. This Greek comedy is a contemplation, a voyage of discovery, an essay and perhaps even an indictment. The film mixes talking heads with theatre, street scenes and splendid panoramas. Based on the desire for freedom, but also the obstacles humanity imposes upon itself to find this freedom – walls around countries, social conventions, rules. Children play on swings to feel that tingling in their tummies, the evolutionary memory of flying through the air.