The best Alexandra Aidini’s movies
If you love cinema, you will share this ranking of the best Alexandra Aidini’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Alexandra Aidini.
Apples
6.8/10
Aris, a solitary man in his late thirties, becomes a victim of an unexplained surge of memory loss disorders in his city and is forced to confront his severe amnesia through an experimental new treatment.
The Weeping Meadow
7.9/10
This is the first film of Theo Angelopoulos' trilogy. The story starts in 1919 with some greek refugees from Odessa arriving somewhere near Thessaloniki. Among these people are two small kids, Alexis and Eleni. Eleni is an orphan and she is also taken care by Alexis' family. The refugees build a small village somewhere near a river and we watch as the kids grow up and fall in love. But difficult times of dictatorship and war are coming...
Approach
5.7/10
Strangers find themselves trapped inside five elevators that break down. Tension rises. There is no communication; just angry men and women bringing the worst out of each other. This is hell in 4m².
Without
4.5/10
A contemporary married couple and their eight-year-old son are exposed to our observation. The husband, around 35, works as a tax specialist for an import-export firm. His 30-year-old wife looks after their child and their home. The man's impending promotion at work triggers their dreams of social advancement and financial improvement. As their plain everyday life unfolds the characters are denuded to reveal their different needs and desires which render their functioning and communication increasingly hard. The man's inability to meet the escalating demands of his social circle and those of his wife brings tension into their relationship and leads to the culmination of the drama. The unexpected as well as extreme solution given by the heroine leads both the hero and the viewer to redefine reality on the basis of how things look and how they really are.
Birds (Or How to Be One)
5.8/10
In 414 B.C., Aristophanes wrote the comedy Ornithes, in which two men leave their birthplace in search of a better life. They arrive in the woodland of the birds and meet Hoopoe, the man who became a bird. This Greek comedy is a contemplation, a voyage of discovery, an essay and perhaps even an indictment. The film mixes talking heads with theatre, street scenes and splendid panoramas. Based on the desire for freedom, but also the obstacles humanity imposes upon itself to find this freedom – walls around countries, social conventions, rules. Children play on swings to feel that tingling in their tummies, the evolutionary memory of flying through the air.
The Line
A woman is hired as a debt collection agent in a call center. Under pressure from her team leader, she tries to adapt to her working conditions. After hearing a tragic story, she becomes interested in the lives of people she has been speaking to on the phone.
Melina Stop Frame - In Search of Modern Greekness
6.6/10
Through thirteen images and an equal number of stories, little Melina-Amalia, the teenager, the woman, the fighter, Blanche, Stella, Ilya, Phaedra, Medea, Clytemnestra, Minister of Culture, the stoic Melina in Memorial Hospital, all aspects of the "last Greek goddess". Shot on the stage of the National Theater Rex - Marika Kotopouli, it captures, balancing between theater and cinema, important historical events that make the myth that surrounds the glamorous protagonist even more powerful and charming.
