The best Almira Sessions’s romance movies

An Episcopal Bishop, Henry Brougham, has been working for months on the plans for an elaborate new cathedral which he hopes will be paid for primarily by a wealthy, stubborn widow. He is losing sight of his family and of why he became a churchman in the first place. Enter Dudley, an angel sent to help him. Dudley does help everyone he meets, but not necessarily in the way they would have preferred. With the exception of Henry, everyone loves him, but Henry begins to believe that Dudley is there to replace him, both at work and in his family's affections, as Christmas approaches.

An uncompromising, visionary architect struggles to maintain his integrity and individualism despite personal, professional and economic pressures to conform to popular standards.

Successful movie director John L. Sullivan, convinced he won't be able to film his ambitious masterpiece until he has suffered, dons a hobo disguise and sets off on a journey, aiming to "know trouble" first-hand. When all he finds is a train ride back to Hollywood and a beautiful blonde companion, he redoubles his efforts, managing to land himself in more trouble than he bargained for when he loses his memory and ends up a prisoner on a chain gang.

Poor physics student Marie is studying at the Sorbonne in 1890s Paris. One of the few women studying in her field, Marie encounters skepticism concerning her abilities, but is eventually offered a research placement in Pierre Curie's lab. The scientists soon fall in love and embark on a shared quest to extract, from a particular type of rock, a new chemical element they have named radium. However, their research puts them on the brink of professional failure.

A small-town girl with a soft spot for American soldiers wakes up the morning after a wild farewell party for the troops to find that she married someone she can't remember.

Former burlesque star May and her daughter Peggy dance in the chorus. When May has a fight with featured dancer Bubbles, Bubbles leaves the show and Peggy takes her place. When Peggy falls in love with wealthy Randy, May fears class differences may lead to misery.

Three World War II buddies promise to meet at a specified place and time 10 years after the war. They keep their word only to discover how far apart they've grown. But the reunion sparks memories of youthful dreams that haven't been fulfilled -- and slowly, the three men reevaluate their lives and try to find a way to renew their friendship.

Foreign correspondent Pete Garvey has 5 days to win back his former fiancée, or he'll lose the orphans he adopted.

Edna marries Texan Sam Gladney, operator of a wheat mill. They have a son, who is killed when very young. Edna discovers by chance how the law treats children who are without parents and decides to do something about it. She opens a home for foundlings and orphans and begins to place children in good homes, despite the opposition of "conservative" citizens, who would condemn illegitimate children for being born out of wedlock. Eventually Edna leads a fight in the Texas legislature to remove the stigma of illegitimacy from birth records in that state, while continuing to be an advocate for homeless children.

When Phil Corey's band arrives at the Idaho ski resort its pianist Ted Scott is smitten with a Norwegian refugee he has sponsored, Karen Benson. When soloist Vivian Dawn quits, Karen stages an ice show as a substitute.

In a small Mississippi town in 1916, an eccentric spinster battles her romantic yearnings for the randy boy next door. A 1961 film, adapted from a Tennessee Williams play, starring Geraldine Page, Laurence Harvey, John McIntire, Una Merkel and Rita Moreno.

Small-town soda-jerk Peggy Evans quits her dead-end job and moves to New York where she invents a new identity.

Starstruck Indiana small-town girl Lily is pestering theatrical producer John Thornway for a role but he is reluctant.

A woman attempts to shelter a young girl from the publicity surrounding her socialite parents' divorce.

Celestine, the chamber-maid, has a new job in the country, at the Lanlaires. She has decided to use her beauty to seduce a wealthy man, but Mr. Lanlaire is not a right choice: the house is firmly controlled by Madame Lanlaire, helped by the strange valet Joseph. Then she tries the neighbour, former officer Mauger. This seems to work. But soon the son of the Lanlaires comes back. He is young, attractive and does not share his mother's antirepublican opinions. So Celestine's beauty attracts Captain Mauger, young Georges Lanlaire, and Joseph. Three men, from three different social classes, with three different conceptions of life. Will Celestine be able to convince Georges of her sincerity?

In 1915, Kansas theatre usher Merton Gill is a rabid silent-movie fan. When he brings Mammoth Studios free publicity by imitating star Lawrence Rupert's heroics, they bring him to Hollywood to generate another headline; he thinks he'll get a movie contract. Disillusioned, he haunts the casting offices, where he meets and is consoled by Phyllis Montague, bit player and stunt-woman. When Merton finally gets his "break," though, it's not quite what he envisioned.

Jaded movie star Vanessa Windsor, saved from a studio accident by handsome extra Chris Farley, pursues him, and soon he's the 'caretaker' of her beach house. Vanessa's sexy, alcoholic adult daughter Penny accidentally meets Chris, who rescues her from an 'octopus' boyfriend. Before you know it, Chris is involved with both mother and daughter, and his only way out is to take a job in a Mexican picture about man-eating orchids...

A bleak mansion sits ominously on a cliff above the sea somewhere on Florida's east coast. In its shadows, two people meet: a scientist haunted by incurable illness and a beautiful woman haunted by the voice of her dead husband. Ronald Reagan and Hollywood-debuting Viveca Lindfors star in an eerie drama steeped in religious faith and supernatural fear, in the destructive power of sexual jealousy and the redemptive power of love. In one of his earliest directorial efforts, Don Siegel (Dirty Harry, The Shootist) displays his command of pacing and camerawork, building the action to a climactic hurricane that parallels the tumultuous emotions of characters precariously balanced between now and the hereafter.

A Brooklyn showgirl gets mixed up in a divorce between a soldier and his wife.