The best Zuzana Bydžovská’s comedy movies

Seven seemingly unconnected fairy tales - glued together only by folklore, mood, color and light - make up this Czech collection of visual poetry. The original piece of literature, written by Karel Jaromír Erben in 1853, contained twelve tales.

A family saga taking place mostly in a small Slovak village over a period of thirty years (1887–1917). The first part captures the life of Martin Pichandu in the development of his craft, masonry; in the second part, his son is center stage living in a period of socio-political crisis, which ultimately results in the first World War. After originally airing on Czechoslovakian television in 1983 as a four-part 226-minute mini-series, this production received a 163-minute theatrical release in 1984.

It is a film consisting of six short stories, which mostly tell in a black humorous, ironic, often bitterly bitter form about an ancient curse, human infidelity, strange deviations, an unexpected miracle and hypocritical forgiveness. They have their own pointed structure, specific atmosphere and way of processing, and yet they pass on motives to each other that communicate with each other and observe the same things from different angles.

Celebrity hairdresser Erika might seem to have it all: a successful business, her own TV show, stylish modern loft in center of Prague, designer clothes, lots of friends and an ever-loving mother with a housework fixation. However, as Erika reaches her 40th birthday, all of a sudden here comes the deafening tick of her biological clock.Erika wants a baby and it has to be now or never. She is longing for a young life, even though she finds her own mother hard to get close to. The trouble is, she needs a man. The film follows in the lines of trashy genres, but at the same time it plays with them and by stressing 'gender themes' it even enters the poetics and ideology of feminism.