The best Zoltán Mucsi’s comedy movies
Today we present the best Zoltán Mucsi’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Zoltán Mucsi’s movies.
Control
7.6/10
A tale about a strange young man, Bulcsú, his fellow inspectors, who are all without exception likeable characters, a rival ticket inspection team, and racing along the tracks... And a tale about love.
Kills on Wheels
7.1/10
Two physically handicapped youngsters make friends with a paralysed hitman and are commissioned by a local mafia boss. They have little to lose although things are never as they first appear. The boundaries between fantasy and reality blur as the unlikely heroes stumble from one close encounter to the next and we gain an unusual insight into their lives on the periphery of society.
Argo
7/10
The crew of Tibi Balogh sets out on a journey across Hungary to get the ancient Gold Owl statue, as well as the Milk Man. The treasure is worth millions, who gets there first?
Magyar vándor
5.5/10
Magyar vándor is a 2004 Hungarian action comedy film directed by Gábor Herendi and starring Károly Gesztesi, János Gyuriska and Gyula Bodrogi
Coming Out
5/10
This is the story of present-day Hungary's most famous gay celebrity who openly admits his homosexuality and fights for gay rights in a society where so many alternative values are denied. But then something happens and he is shocked to discover his growing interest in the female of the species.
Junk Movie
6.9/10
It is 1989, the year of the demise of socialism in eastern Europe. Nevertheless, the one theme of Junk Movie does not refer to this historical moment of high ideals, quite the contrary, the wild, burlesque of a motif-mozaic seems merely to stick it’s tongue out at the arrogant players of politics who have their heads stuck in the clouds. The film rudely points out the mystery and unapproachability surrounding the every-day existence of politics. The scene is a greasy, falling-down block of a pub called the Gólya and its immediate surroundings.
BLACKland
5.7/10
The film is a stage play hybrid showcasing dark and absurd sketches based on contemporary Hungarian news of the 2000's with campy, senseless musical interludes in-between. Highly experimental in nature that - like Marmite - will split its' crowd into ones that'll love it and others that'll loathe it. There's no middle grounds here. The topics included are: The Hungarian Olympians' doping scandal, political terrorism, the national elections... and more.
Paper Dogs
5.9/10
After they got imprisoned, small-time criminals Kuplung and Csumpi tell their stories to their cell-mate of how they have planned the most imperfect robbery. Their big idea was to rob the Money-liquidation Warehouse. The movie shows how they fielded a team to execute the robbing and how everything went wrong.
Szuperbojz
1.4/10
A man pretends to be a manager and helps veteran rockstar god, Johnny G. and his ex-band to reunite once more.
De kik azok a Lumnitzer nővérek?
4.2/10
Story about two restaurant critics, whom write articles under fake names.
Egy szoknya, egy nadrág
3.1/10
Just Drop Dead!
4.7/10
Drop dead please! Following the sudden death of a mysterious engine driver in his sixties, the Wife, the Lover, her illegitimate Daughter and an increasing number of shady characters from his spurious past want to know the true identity of the man they loved. They are dying to know which of them was really loved by him, and where he has hidden the fantastic fruit of his double life. In their deadly struggle, our heroes find themselves in the center of a satirical crime comedy, the sinful roots of which stretch back to the eighties, the closing decade of the socialist era.
The Lord's Lantern in Budapest
6.7/10
In the Kerepesi Street cemetery, three grave diggers contemplate the fate of the world, then they step out of this role and in a sequence of episodes they play the typical figures of contemporary Hungarian reality, the fat cat, the swashbuckler, the victim, underworld chieftains, and present little absurd dramas of love, marriage, friendship, public order and legal safety. The author and the film director walk among them all the time, contemplating, laughing at their plays. The stories starting from the graveyard and returning there warn of the inevitability of death. The author and the director (Gyula Hernádi and Miklós Jancsó) wisely make friends with death.
Montecarlo!
4.9/10
Citromfej
6.6/10
Comedy about a man whose face is stuck in a grimace after making a ‘lemon face’.
Damn You! the Mosquitoes
5.9/10
Kapa, Pepe and Mesi would like to buy a scrapyard of trains, to start a nostalgia train and earn a lot of money. The capital to start with they want to get from grandpa, who has come home from America with a suitcase full of money. Everybody wants Mesi to approach the old man, because she is the only one he would speak to. But Mesi is more concerned with the idea that she wants a child, by now from anyone, while Pepe is jealous. Kapa’s alleged son emerges, with the mafia behind him: they, too, are eager to get grandpa’s money. After threats and blackmailing, poisoned apples are sent, with only one side of them poisonous. Those dead, by the way, are resurrected by the sound of a song. At last, nobody manages to get the money, but it wouldn’t make sense anyway: it’s all fake. The Statue of Liberty, however, turns out to be blind.
