The best Zenji Yamada’s drama movies

Saheji, a man-about-town, gets stuck at a high-class brothel when he can’t pay the bill. He makes the best of his situation by performing various tasks amidst the tumult of the end of the shogunate—but always by making sure to get a “commission” for his troubles.

The eldest daughter of a rural family Mon returns home from Tokyo pregnant after an affair with a college student Kobata, which causes a scandal that will threaten the marriage prospects of the younger sister San, in her cash-strapped family. The ill-tempered eldest brother Inokichi decides to take on the role of disciplinarian, with harrowing results.

In the thriving Tokyo neighborhood of Ginza, a woman in the process of selling her estranged husband’s art collection attempts to identify the man who painted her own portrait fifteen years prior.

Shoichi Kokubun (Yujiro Ishihara) is a roughneck street musician, who has a brother that is determined to propel him into stardom. In attempt to catch the attention of a popular jazz band, his brother appeals to their manager who has the power to make him a star. In a graphic portrayal of love, betrayal and success, Shoichi brews up a storm with a 'rat-a-tat-tat' on the drums.

Shinko Terasawa was always considered to be the odd ball of the bunch. At a time when romance was against school regulations, Shinko was the first to take a bite out of the forbidden fruit. Expelled from her former school, she finds herself in an all-girls school in Jokamachi, where rumors fly. One day, Shinko delivers an anonymous love letter addressed to her English teacher, Ms. Shimazaki. Convinced that the students are playing a prank, Ms. Shimazaki is adamant about getting to the bottom of this "problem”.

The famous showdown at Kagiya corner has been told many times, but never before with the realism and intensity of this version scripted by Kurosawa Akira and starring Mifune Toshiro as the famed swordsman who must face his best friend as they are forced to take opposite sides in a vendetta caused by the murder of a family member. Told mostly in flashback as the avengers await the arrival of their quarry, this film displays true heroism in the face of fear as most of the combatants, while of the samurai class are not skilled swordsmen. They contrast sharply with the true warriors involved in this battle. Araki Mataemon (Mifune), who was not only a direct student of Yagyu Munenori, but the founder of his own sword style under the Yagyu name is a powerful force ready to assist his brother-in-law against the murderer's allies that include not only another noted sword teacher, but the deadly spear of Katsumi no Hanbei.

Eikichi Yamashiro, who is a former contender for the boxing title, works as a manager at a Club Champion owned by his fiancé Natsuko’s father. He lost a title match five years ago as he was besotted by Natsuko, but Eikichi actually cannot give up the dream of the championship. One day, he meets Shuntaro Fuma, who is a punk kid but a promising boxer, and realizes the dream that he himself could never fulfill. Then, they together start to train with the aim of the title. Mari Shiraki is an up-and-coming ballerina under the patronage of Eikichi as well. Eikichi forbids Shuntaro and Mari to be romantically involved with someone during their training, however, they start to go on a date. (source: Nikkatsu International)

The moment he's released from prison, the honorable gangster Miyamoto recovers the stolen diamonds he had stashed before getting pinched. When he returns to his haunt to make good by friend who took a bullet for him, he is diverted by the greedy boss Oyane and his insatiable taste for Miyamoto's precious stones. Replete with film noir style, "Underworld Beauty" is one of Suzuki's best nods to the American gangster genre.

You’ve probably never seen anything quite like this manic, oddball, anti–buddy picture about a young, jazz-obsessed Japanese drifter and a black American GI on the lam in Tokyo. The two outsiders become outlaws, and Koreyoshi Kurahara depicts their growing bond as an alternately absurd and tragic culture clash.