The best Zanie Campan’s movies

Zanie Campan

Zanie Campan

Today we present the best Zanie Campan’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Zanie Campan’s movies.

Woman Times Seven

Woman Times Seven
5.8/10
Seven mini-stories of adultery: "Funeral Possession," a wayward widow at her husband's funeral; "Amateur Night," angry wife becomes streetwalker out of revenge; "Two Against One," seemingly prudish girl turns out otherwise; "Super Simone," wife vainly attempts to divert her over-engrossed writer husband; "At the Opera," a battle over a supposedly exclusive dress; "Suicides," a death pact; "Snow," would-be suitor is actually a private detective hired by jealous husband.

Scandals of Clochemerle

Scandals of Clochemerle
7.4/10
  • Release: 09/06/1948
  • Character: Une lavandière
A little town erupts in turmoil about the construction of a public urinal. The army is sent in to restore order, but the military add to the confusion by getting involved with the local women.

Adventures of Captain Fabian

Adventures of Captain Fabian
5.6/10
  • Genre: Adventure
  • Release: 06/10/1951
  • Character: Cynthia Winthrop
An ambitious girl (Micheline Presle) uses a sea captain (Errol Flynn) to climb the social ladder in old New Orleans.

Famous Love Affairs

Famous Love Affairs
5.2/10
Anthology of four love stories that have some historical basis.

Paradise Hotel

Paradise Hotel
5.7/10
  • Genre: Drama
  • Release: 15/04/1986
  • Character: 'Lucienne Bayer'
A diverse group of guests gather in a small hotel in Paris to contemplate the state of their lives in this pretentious drama. Joseph Goldman (Fernando Rey) is a washed-up Hollywood actor making a living in the dinner-theater circuit. Accompanied by his wife Sarah (Carole Regnier), Goldman meets Frederique (Berangere Bonvoisin), who is hiding from her former lover. French financier Arthur (Fabrice Luchini) hopes to get into the film industry and bends the ear of a British director (Michael Medwin). The talkative film has little action, and none of the characters evoke much interest or resolve their dilemma.

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