The best Yvonne Sanson’s drama movies
Today we present the best Yvonne Sanson’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Yvonne Sanson’s movies.
The Conformist
7.9/10
A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.
Tormento
6.4/10
Anna flees her home, where she has been victimized for years by her spineless father’s mean-spirited second wife, to be with her lover, an honest businessman yet to make his fortune. When he is accused of a murder he didn’t commit, the couple’s domestic tranquillity is upended, and a desperate Anna must rely on her cruel stepmother to help support their child.
He Who Is Without Sin...
6/10
Northern Italian Stefano marries sweetheart Maria by proxy while working abroad in Canada. However, she is mistakenly accused of her sister's crime of abandoning her own child and, when Stefano finds out, he decides to call off their marriage.
Flesh Will Surrender
6.9/10
Giovanni used to be a humble, mild-mannered government clerk whose life was turned upside down when he met Giulio, a notorious forger who at once set about manipulating the over-confident man. Giovanni did what he should never have done: he associated himself with the crook. Giulio soon laid hands on Giovanni's money, ruined his career and manhandled him into marrying his own mistress, the beautiful Ginevra. It was of course an unhappy marriage but Giovanni found a little solace when his son Ciro was born. Seven years later though, Wanzer resurfaced...
When You Read This Letter
6.6/10
After a novice nun learns of the sudden death of her parents, she leaves the convent to manage the family business and look after her teenage sister. Both of them fall prey to a womanizing mechanic with psychopathic tendencies.
Nobody's Children
6.5/10
The tragic love story between Guido, the owner of a marble quarry and Luisa, the humble daughter of one of his employees, ends up in her giving birth to a baby boy. Giulio's mother is against them: at first she takes her son abroad with an excuse and then has her grandson kidnapped making Luisa think the boy died in a fire.
Melancholy Autumn
6/10
Lucas is an orphan who lives with his mother Mary, a worker in a factory in Barcelona. One day they meet Captain Andres.
The Overcoat
7.5/10
The classic Nicolas Gogal fable The Overcoat is given a European flavor by Italian filmmaker Alberto Lattuada; some consider the film to be Lattuada's best "psychological study." Comedian Renato Rascel plays a nebbishy nobody who spends his life-savings on a fancy overcoat. Suddenly, the nobody becomes a somebody, proving beyond doubt that clothes make the man. And then one day, the overcoat is stolen...Fleshing out the short-but-bittersweet Gogol original are several colorful new characters, including a publicity-hungry small-town mayor, played by Giulio Stival. The background music was composed by director Lattuada's wife Felice. American prints of Il Cappato are missing a so-called "naughty" telephone exchange between the mayor and his silken mistress.
The White Angel
6.5/10
In The White Angel, Raffaello Matarazzo’s sequel to his blockbuster Nobody’s Children, the perpetually put-upon Guido and Luisa return for a new round of trials and tribulations.
The Mysterious Rider
6.3/10
Giacomo Casanova returns to Venice, to help his brother, falsely accused of robbery.
Dark Soul
6.2/10
A man with a past gets married and it seems that he will be able to start a new life, but an unexpected inheritance gets in the way and deteriorates the relationship with his wife.
Torna
5.9/10
Cousins James and Robert are in love with Susanna. When Robert and Susanna announce their engagement, James vows to ruin their happiness.
Chains
6.7/10
A family drama involving a wife torn between her husband and her criminal ex-lover
One Appreciated Professional of Sure Future
5.7/10
italian movie
We Are All Murderers
7.2/10
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.
This Angry Age
5.9/10
Twenty-year-old Joseph (Perkins) and his sixteen-year-old sister Suzanne (Mangano) live in the merciless conditions of an intemperate foreign land with their widowed mother (Van Fleet). Their mother attempts to exert a hold on her children by involving them in the family's run-down rice plantation. However the siblings seek liberation, and look for this in their romantic lives. Suzanne becomes involved with Michael (Conte) and Joseph finds a love interest in Claude (Valli).
Noi peccatori
6.6/10
Flucht in die Dolomiten
5/10
Black City
7.2/10
A charming rogue, the self-proclaimed leader of Naples, locks horns with an American Army general and a police inspector.
Campane a martello
6.5/10
