The best Yuya Endo’s drama movies

In order to conceal past corruption by the government, the Kyuryu group proceeds on a plan to destroy a street and build a casino. To stop the Kyuryu group, members of SWORD begin to move.

Japan, 1944. Trained for intelligence work, Hirō Onoda, 22 years old, discovers a philosophy contrary to the official line: no suicide; stay alive whatever happens; the mission is more important than anything else. Sent to Lubang, a small island in the Philippines where the Americans are about to land, this role will be to wage a guerrilla war until the return of the Japanese troops. The Empire will surrender soon after, Onoda 10,000 days later.

Nodame and Chiaki mutually decide that it would be for the best if they parted ways for a while so Nodame can practice for an upcoming competition. However, when things don’t go her way, she gets impatient and depressed. While Nodame is away, Chiaki’s former pianist Rui Son returns to take her place. To make matters worse, Rui and Chiaki are set to play the song Nodame dreams of playing with Chiaki herself: Ravel’s “Concerto in G Minor”.

When three older men buy a 17-year-old schoolgirl named Chikako for a year's-worth of sexual services -- her motivation, aside from money, is never explained -- the relationships among the men (whom she calls A. B and C) keep shifting in ways that redefine power and sex.

Writer-director Gu Su-yeon's new film draws on his own semiautobiographical account of growing up as a delinquent zainichi Korean (Japanese-born, but of Korean ancestry) in the seaside city of Shimonoseki in Yamaguchi Prefecture, a working-class hellhole overflowing with sex and fury. Day after day, (fictional) Gu finds fresh foes and makes the local hoodlums want to kick his ass. While working multiple dead-end part-time jobs, he cruises around town on his scooter in search of gangland trouble: leaping across rooftops with irate hordes of punks in hot pursuit, running off with a fetching belle in a sailor suit, rescuing a schoolgirl from being gang-raped at a glue-sniffing orgy…

Based on a manga by Saso Akira, the film caters to a high school or older audience, marked by the frequent addition of profanity, nudity, and scenes of (mostly attempted) sex. It is an unexpectedly dark film, with infrequent scenes of comedy that may make you chuckle, but not laugh. Ain't No Tomorrows is not the most likable film out there, but it is not completely dissatisfying. It is a film that succeeds in establishing itself as unique and apart from the typical teenage drama, but feels like a surface film–one that should not be thought too deeply about.

Shoji Segawa was a quiet and inconspicuous boy, but, for the first time, he is recognized by people after winning the National Middle School Shogi Tournament. At the age of 26, his dream of becoming a professional shogi player collapses due to an age restriction. After he quits playing shogi, he becomes desperate. With the support of his peers, including Yuya Suzuki, and his love of shogi, Shoji Segawa begins to play shogi again. A miracle happens to him.

Teenager Kazuki Miyaichi has always felt unloved by her mother due the circumstances surrounding her birth. Because she harbors anxiety and perceives herself as being worthless to others, she engages in acts of juvenile delinquency. One day, a transfer student from Yokohama named Eri introduces her to Hiroshi Haruyama, a reckless youth who’s a member of the “Nights” motorcycle gang. Kazuki finds herself increasingly drawn to Hiroshi over time, but he soon becomes leader of the Nights and gets caught up in a conflict with a rival gang.

After the death of his grandfather, Koen Shirakawa (Atsushi Ito) quits his job at a bookstore and goes to a temple to become a monk.

Maverick pediatric surgeon Mikoto Saijo agrees to work under his mentor, but only if he's allowed to care for a teenager with a risky pregnancy.