The best Yuriko Yoshitaka’s drama movies

A tragic accident lead to Kaori's blindness, but she clings to life and the smaller pleasures it can still afford her. She meets Rui and begins to talk to him. Rui was once a promising kickboxer, but something happened in his past. Kaori's smile brings out a change in Rui. However, the two are connected in more than one way. Rui attempts to do what is right.

Kaiji Ito moves to Japan after graduating from high school. Unable to find a job and frustrated with society at large, Kaiji spends his days gambling, vandalizing cars, and drinking booze. Two years later and his life is no better. A debt collector named Endo arrives to collect money owed. The debt collector offers two choices to Kaiji: spend 10 years paying off his loan or board a gambling boat for one night to repay his debt & possibly make a boat load of money. Could the debt collector Endo actually be setting up Kaiji? One way or another, for Kaiji it's going to be the night of his life.

Set after the Tohoku earthquake and tsunami, all 14-year-old Sumida Yuichi wants to become is a regular boy and live a decent life. His environment though repeatedly drags him into the mud. He runs his parent's rental boat business, which is located next to a nondescript lake. His mother frequently comes home with different men and soon she leaves him entirely. His father only comes around looking for money. Chazawa Keiko is a classmate of Sumida Yuichi. She harbors a severe crush on Yuichi. Keiko's home life isn't much better than Yuichi's. Her mother builds a gallows with a noose in place for Keiko to take her own life. Her mother believes her life would be better off without Keiko. Under these circumstances, Keiko pays a visit to Yuichi's home. A group of people are lingering nearby who live in makeshift tents on the property. Keiko tries to befriend Yuichi, but she is berated and even physically assaulted. She doesn't get deterred though and sticks around.

Cyborg She follows the burgeoning romance between an ordinary college student and his sassy love interest - who happens to be a time-traveling cyborg with superhuman powers. One day, a beautiful cyborg girl appears in front of a dull university student. Even though the cyborg starts to like him, she can’t truly feel emotions, so the boy has no choice but to say goodbye. Missing her, he continues his lonely existence. One day, a disastrous earthquake hits Tokyo and the cyborg girl saves his life. In that moment, she starts to have feelings like a real human being.

A teenager named Noriko Shimabara runs away from her family in Toyokawa, to meet Kumiko, the leader of an Internet BBS, Haikyo.com. She becomes involved with Kumiko’s “family circle,” which grows darker after the mass suicide of 54 high school girls.

3 years after the ultimate life-or-death game with Teiai Group, Kaiji was entrapped by Teiai and again back in the underground, forced to do hard labour. One day, Kaiji wins a bet to get out of the underground with 1 million yen, and promises the other workers that he will save them. But to do so, he only has 14 days and needs 200 million yen! Kaiji meets his former rival Tonegawa and learns that there is a chance to turn the tables in the game. It was a monster casino machine that will make 1 billion yen if you win...

The year is 1987 and Japan is just reaching the peak of its economic success. Eighteen-year old Yonosuke Yokomichi arrives in Tokyo from Nagasaki. Ordinary in every way possible, he lives in a suburb far from the excitement of the big city and commutes to a university in the center of Tokyo.

Masaharu Fukuyama reprises his role from 2008's "Suspect X," playing the physicist-cum-detective Manabu Yukawa. The scientist-sleuth arrives in an oceanside town to speak on a panel. But when a man turns up dead outside the inn where he's staying, Yukawa begins to unravel the connections that tie the victim to the activist daughter of the innkeepers, and a precocious boy who first appears on a train—and keeps popping up. It's a Sherlock Holmes mystery with an environmental twist, and one that should please fans of a classic whodunnit.

Young public prosecutor Keiichiro Okino is assigned to the department of the Tokyo Public Prosecutors Office that deals with violent cases, where he will work with Takeshi Mogami, whom he admires. When a money lender is killed and it is suspected that someone from Mogami’s past is the perpetrator, the team prepares to do his best in order to prove the alleged criminal’s guilt.

In the Susukino red light district of Sapporo, a private detective (Yo Oizumi) drinks alcohol with his driver Takada (Ryuhei Matsuda) in his favourite bar. There he receives a phone call from a woman who identifies herself as Kyoko Kondo. The woman asks the detective to complete a simple task. The detective, having an excellent sense for danger, thinks the work is easy and accepts the case. The next day he begins the investigation.

On the outset, the Okunos seem like a normal happy family with father Tadashi and his two bright sons, genetics researcher Izumi and artsy Haru. When a series of arson attacks strike the neighborhood, clues left at the crime scenes seem to be somehow related to the Okunos. Izumi and Haru try to get to the bottom of mystery, slowly unveiling a tragic family secret that has come back to haunt them.

Hiroki, Koji, and Shinya are engineers working at an air conditioning manufacturer ordered to develop a robot to boost the company's reputation. Just before they are due to present their invention, the robot is destroyed in a freak accident. With little time left, the three are forced to go for the last resort: Build a hollow robot suit and put a human being in it. After an audition, the only qualified man for the job is Suzuki, a cranky and lonely retiree who needs the job to kill time. After a public display that puts the robot on the headlines, the three engineers are forced to drag Suzuki on a publicity tour in order to keep up their façade. However, their plans are complicated when passionate robotics student Yoko is thrown into the mix.

While researching a story on a school for problem children, Nakahara meets Emi, a college volunteer with a compelling tale of her own. After overcoming her initial reluctance to open up to the writer, Emi talks about her busted leg and her childhood friendship with the chronically ill Yuka.