The best Yuan Hong’s movies

Yuan Hong

Yuan Hong

23/08/1982 (41 años)
We present our ranking of the best Yuan Hong’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Yuan Hong.
Genre:

A Chilling Cosplay

A Chilling Cosplay
4.4/10
The police investigate the murder of a young woman whose corpse was frozen and dressed up like a doll.

Ipartment

Ipartment
2.6/10
Original Cast, Reunite after 10 Years. A film originally shot as the official spoof comedy for The Graver Robbers’ Chronicles series, got some scenes reshot to add in and changed the film as the movie version of iPartment series.

Miss Puff

Miss Puff
4.4/10
Puff, grew up as a child spoilt by her parents. During the party celebrating her return from overseas studies, she had a romantic encounter with a young university student, it was love at first sight.

Coward Hero

Coward Hero
4.9/10
  • Genre: Comedy
  • Release: 02/08/2019
  • Character: Xing Tiecheng
A terminally ill gangster becomes a police insider to cash in on the life insurance but ends up a department hero in this Chinese action comedy.

Fire on the Plain

Fire on the Plain
7.2/10
Set in China’s hardscrabble, industrial northeast, it tells the story of a young police officer investigating the murder of a taxi driver, only to find a childhood friend may be involved. To solve the case, he explores layer by layer, revealing a past buried 12 years ago.

Send Me to the Clouds

Send Me to the Clouds
6.3/10
  • Genre: ComedyDrama
  • Release: 16/08/2019
  • Character: Liu Guangming
Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel's transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.

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