The best Yoshiyuki Yamaguchi’s drama movies

The beautiful Shizuko (Aya Sugimoto) and her husband Tooyama Takayoshi (Jo Shishido) have a loving relationship, But Takayoshi is getting older and isn't always able to perform. His primary source of gratification involves observing his wife in sadomasochistic scenarios so he commissions a painter, skilled in the arts of bondage to bring these fantasies to life. Soon, Shiziko becomes a willing and submissive participant in fulfilling the S&M fantasies of not only her husband but a slew of rich lecherous men.

The wealthy president of a company has built up an unpayable debt to a local crime lord, and to escape punishment he sells his famous dancer wife to the lecherous old man figuring a 90 year old can’t do too much bad with her. Perhaps not, but others can while he watches. She’s put on stage in an underground BDSM sex show and begins a spiraling decent from strongly independent woman to submissive sex slave

Manji, a highly skilled samurai, becomes cursed with immortality after a legendary battle. Haunted by the brutal murder of his sister, Manji knows that only fighting evil will regain his soul. He promises to help a young girl named Rin avenge her parents, who were killed by a group of master swordsmen led by ruthless warrior Anotsu. The mission will change Manji in ways he could never imagine.

Ôtomo gets involved with new Yakuza battles after he comes back the Yakuza society.

A lonely otaku is fired from his job. He is rescued in a ruined building by a strange girl in a sailor suit. When he wakes up, the girl becomes a figure. The young man and the pretty figure begin to live together.

Two contract killers cross paths in the middle of the same job and realize they are childhood friends. Together they take a break from killing and visit the small island they once called home. After reflecting on their past lives they decided to team up and use their talents in killing for good... much to the upset of the crime syndicates.

In an alternate Japan, territorial street gangs form opposing factions collectively known as the Tokyo Tribes. The simmering tension between them is about to boil over into all-out war.

Drawing influence from the street musicians of Miyagi, four high school students form a band and spend their free time practicing for their school's upcoming festival. When the festival is abruptly concealed, they come up with a dimwitted strategy of faking a bomb threat to the school in order to force the principal to change his mind. Their plan seems to work at first, but when a real bomb goes off, the group is forced to take responsibility for the explosion and they are kicked out of school. Three years later, more details of the incident is revealed as the youth look back on the past.

Famous movie actress Nami is being interviewed by a magazine reporter about her new film in which the plot resembles her real life. Her actor husband Yosuke has an affair with a young actress Junko whereas in the movie, Nami acts as an actress whose husband has an extramarital relationship with a young girl, with Yosuke as the husband and Junko as the new girl friend. In the course of the interview, Nami falls into deep thoughts and flashbacks about her lascivious encounters with strangers in a night train, in the movie as in the reality. Despite whether her intention is to revenge her husband or to satisfy her own desires, Nami demonstrates bewitching charm in a series of intercourse with different men, positions and locations. Director Takashi Ishii attempts to explore female sexual psychology through perfect blends of aesthetic nudity and violence.

TAJOMARU is the famous 'bandit' of the forest from RASHOMON. Whoever kills Tajomaru inherits his name, status and sword. A royal brother leaves his kingdom to protect the princess he loves, only to find a series of harrowing adventures along the way which lead him back to where he came from, and then disinheriting his past to become the bandit TAJOMARU.

Tokyo is a dark technopolis, a city of faceless chrome and cold marble. It is ruled by Nogi, a yakuza boss specializing in drugs and murder. He gained absolute power by executing the former boss and marrying his daughter, Chiaki. Only the mysterious Ikko, Chiaki's half-sister threatens him. Inspired by a legendary hit-woman, Ikko calls herself the Black Angel and plans to wash away her father's murderer with a deluge of blood.

Tendokai's Washio Kazuma, the underboss of Japan's largest crime syndicate, goes on the warpath when his blood brother and family turn up dead.

Washio now reigns as boss of Tendokai, but a deal over casino operating rights ignites a fierce war with a hostile faction in the Kansai region.

After Kunisada's Yakuza leader and father figure is brutally murdered, he and his best friend go on a two-man mission to avenge his death, killing other Yakuza leaders leading to a final confrontation by the old man's killers..

When Tendokai's headquarters are attacked, underboss Washio Kazuma orders his trusted lieutenant to investigate a possible mole inside the family.

With their hair salon business now on track, longtime couple Sakura and Makoto mull over inviting Sakura's estranged father to their upcoming wedding.

The fate of Tokugawa’s world hangs in the balance as Yagyu Jubei is sent on a mission to discover what happened to 10 of the shogun’s spies that never returned. Matsukata Hiroki, one of the last surviving members of the Golden Age of Japanese Cinema proves that he has not lost a step as he portrays an older and wiser Yagyu Jubei in a movie that brings the best of samurai filmmaking into the 21st century. Summoned from semi-retirement by Shogun Iemitsu, Jubei is asked to take to the road and investigate a clan rumored to be preparing explosives for a rebellion. With help from a beautiful female ninja they head into the Shirakawa domain where the fighting skills of both are tested time and again as they strive to destroy a conspiracy that could bring a new Warring States Era. In the 1960's Yagyu Jubei was the signature role of the great Konoe Jushiro, father of Matsukata Hiroki. This brings the character full circle.

The yakuza have their best days behind them and are only a shadow of themselves. The old rituals seem out of date and their tattoos make them outcasts of society. The inexperienced student Ryō stumbles into their ranks by chance, and before he knows it, he becomes entangled in dark machinations. He quickly succumbs to the fascination of omnipotence fantasies and hedonistic decadence and sinks deeper and deeper into a parallel world of prostitution, blackmail and violence. However, there is one thing that Ryō has not considered in his naivety: once yakuza, always yakuza!