The best Yoshio Kosugi’s history movies
If you love cinema, you will share this ranking of the best Yoshio Kosugi’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Yoshio Kosugi.
The Human Condition I: No Greater Love
8.5/10
During the Second World War, Japanese conscientious objector Kaji works as a supervisor in a Manchurian prison camp. He hopes to avoid duty as a soldier, but he also hopes to be helpful to the welfare of his prisoners. But an unexpected incident bring problems to Kaji's goals. He faces the possibility of transferral to combat--or worse.
The Men Who Tread on the Tiger's Tail
6.7/10
Yoshitsune Minamoto, disguised with his retinue as monks, must make do with a comical porter as their guide through hostile territory en route to safety.
47 Ronin
7.6/10
The story tells of a group of samurai who were left leaderless (becoming ronin) after their daimyo (feudal lord) was forced to commit seppuku (ritual suicide) for assaulting a court official named Kira Yoshinaka, whose title was Kōzuke no suke. The ronin avenged their master's honor after patiently waiting and planning for over a year to kill Kira. In turn, the ronin were themselves forced to commit seppuku for committing the crime of murder.
Japan's Longest Day
7.7/10
Following the detonation of the atomic bombs on Hiroshima and Nagasaki, the Japanese military and the government clash over the demand from the Allies for unconditional surrender. Minister of the Army Anami leads the military officers who propose to fight on, even to the death of every Japanese citizen. Emperor Hirohito, however, joins with his ministers in asking the unthinkable, the peaceful surrender of Japan. When the military plots a coup to overthrow the Emperor's civilian government, Anami must face the choice between his desires and loyalty to his Emperor.
Man of the House
6/10
This film is based on a real Meiji era performer -- and tells of Tochuken's partnership with his wife (played by Chikako Hosokawa) who played shamisen for his songs/recitations), his affair with a geisha (Sachiko Chiba), and the deterioration of his partnership and marriage.
Rise Against the Sword
6.7/10
Farmer Abare Goemon is confronted by brigand-like samurai. He raises an army of farmers to fight them and does so brilliantly. When Lord Asakura sees the success Goemon has achieved, he attempts to recruit him to fight in a conflict between Asakura and another clan. Goemon refuses, and Lord Asakura sets out to destroy him.
The Giant
7.1/10
Japanese adaptation of LES MISERABLES. The last film of director Itami took inspiration from Les Miserables. Transpiring during the Southwestern War of 1877 in Japan, which was the last civil war in the country, a criminal escapes prison only to be found by a monk. The criminal decides to turn a new leaf based on their conversation and goes on to become a town's mayor. He hears news of a mistaken arrest and identity. The revelation of truth is the start of a series of miseries.
Daredevil in the Castle
6.3/10
During the raging war between the Toyotomi and Tokugawa clans, the swordsman Mohei (whose family has been completely decimated) is recruited by Toyotomi to overcome the seat of power, Osaka Castle. Mohei's daredevil skills will be put to severe tests.
Whirlwind
6.5/10
Set at the end of the Siege of Osaka this film follows the exploits of several members of the defeated Toyotomi clan as they cope with the post battle chaos and the persecution of the Shogun's army. Five samurai decide on different fates when it becomes clear that their side is being destroyed. One wants to attack the enemy head on in a final honorable death. Another decides to commit hari-kiri but wants to find a glorious view to do it. His close friend, the "coward", just wants to run and give up the life of a samurai. The final two set their own castle on fire to garner favors from the enemy and therefore avert their own death during the massacre of all defeated soldiers as
Kirare no Senta
Directed by Eisuke Takizawa
