The best Yim Soon-rye’s movies

Yim Soon-rye

Yim Soon-rye

01/01/1960 (64 años)
If you love cinema, you will share this ranking of the best Yim Soon-rye’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Yim Soon-rye.

Ari Ari the Korean Cinema

Ari Ari the Korean Cinema
6.6/10
  • Genre: Documentary
  • Release: 06/12/2012
  • Character: Herself
Director Chung Ji-Young criticizes the thought that older directors have difficulties in making certain movies. Actress Yoon Jin-Seo agonizes over her identity as an actress. In 2009, before the movie "Unbowed" was made, they met and planned a documentary about Korean movies, including the processes a Korean movie goes through and difficulites. "Ari Ari the Korean Cinema" is a documentary with interviews of Korean directors, actors and actresses.

If You Were Me 2

If You Were Me 2
6.4/10
  • Release: 12/01/2006
  • Character: Sturdy Sister
Commissioned by South Korea's National Human Rights Commission, If You Were Me is an innovative omnibus film project to promote tolerance and human rights and shed light on the hardships disadvantaged people face in Korea. After the success of the first anthology, a second series, If You Were Me 2, was released this year. Five notable Korean directors - Park Kyung Hee (A Smile), Ryoo Seung Wan (Crying Fist), Jung Ji Woo, Jang Jin (Guns & Talks), and Kim Dong Won - participated in the second installment, creating shorts on human rights issues of their choosing.

Keeping the Vision Alive

Keeping the Vision Alive
  • Genre: Documentary
  • Release: 04/04/2002
  • Character: Herself
Keeping the Vision Alive is a documentary film containing the voices and images of Korean women filmmakers-both senior filmmakers and also the peers of director Yim. The film is Yim’s homage to both contemporary Korean women filmmakers, written by a filmmaker of the same age, and also to the history of women filmmakers in Korea. Yim does not reveal her own voice or opinion and lets the voices and images of the filmmakers speak for themselves through a non-interventionist camera. From the pioneers, Park Nam-ok, and Hwang Hye-mi, who directed First Experience in 70’s, to recent filmmakers, Byun Young-joo and Jang Hee-sun, the film traces their experiences, troubles, concerns and thoughts as women and women filmmakers. Keeping the Vision Alive calmly and enthusiastically encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a conservative Korean film industry and a male-dominated and sexist social system. (Kwon Eun-sun)

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