The best Yevgeni Sitokhin’s drama movies

When a CIA operation to purchase classified Russian documents is blown by a rival agent, who then shows up in the sleepy seaside village where Bourne and Marie have been living. The pair run for their lives and Bourne, who promised retaliation should anyone from his former life attempt contact, is forced to once again take up his life as a trained assassin to survive.

A romantic drama set in 1961 that follows a young studio extra's ambitious efforts to reunite with the French girl he loves after being separated by the construction of the Berlin Wall.

A nameless man receives phone calls intended for someone else and ends up pretending to be that person, while a female character rebels against her author.

In 1938 Hans Zeisig, an apolitical comedian, impersonator and cabaret actor, flees with a Russian passport (instead of American, which he would have preferred) from Nazi-Berlin, and finds himself in the legendary Hotel Lux, the 'lost paradise' of the Comintern, in Moscow. Everyone believes that Zeisig is a man named Hansen, Hitler's personal astrologer. But Zeisig quickly realizes that he's gone from the frying pan into the fire. In the Hotel Lux he meets his friends Frida and later Meyer again, still passionate communists. For the three idealists an adventure between love and death begins to run his course.

Malchow, German Democratic Republic, 1980. 20-year-old Anne is hiding Juri, a deserter of the Red Army. The two fall in love with each other. But their love is threatened: there is an arrest warrant and possibly a death sentence waiting for Juri. The two leave the country and flee to the West, leaving Anne’s six-month-old daughter Inga behind. Inga grows up with her grandparents and thinks that her mother died during a swimming accident. 25 years later she meets the literature professor Robert, who sends her on the trail of her past. He met Inga’s mother Anne during one of his seminars. At first Inga is resistant, but then she asks for Robert’s help. Together they take off on a journey through Germany, in search of Inga’s mother Anne...

A movie based on the book by Christine Nöstlinger “Maikäfer, flieg! Mein Vater, das Kriegsende, Cohn und ich”

A former German Army officer, accompanied by his granddaughter, journeys to the Ukraine to find the woman he once loved.

In 1914 on a family estate, Oda helps a wounded anarchist, and as their illicit friendship deepens, a family turmoil erupts as the war closes in.

Germany, Baltic Sea coast, May 1945, a few days before the end of World War II. A small Soviet patrol arrives at an isolated house where an elderly baroness gives shelter to a group of orphan girls and a boy who is determined to continue the fight.

Verena, the mother superior at a German convent, tells the story of young nun Antonia. Born deaf and taken in by the convent at a young age, Antonia was raised to be a sister. At the age of 27, Antonia begins commuting to work at a men's shelter in town. There she meets handsome pickpocket Mikas, who is also deaf. Mikas courts Antonia and the two become lovers. But when Mikas is tragically killed by police, Antonia decides to take her fate into her own hands and travels to America where she will study to become an actor.

Survival is not enough. Fariba Tabrizi has made it. Under peril of death she has fled from Iran. In Germany she has no alternative way of avoiding the threat of deportation other than to assume the identity of a deceased co-detainee. So what happens after a few month in which she has tried to come to terms with a situation which is actually an insufferable one for her? How does Fariba live not only in this external state of exile but also in an inner state of exile? The term "in orbit" is officially used by the UN to refer to asylum-seekers who find themselves orbiting around planet Earth because they can actually find legal domicile nowhere at all.