The best Yelena Samarina’s crime movies

Yelena Samarina

Yelena Samarina

16/12/1927- 04/05/2011
We present our ranking of the best Yelena Samarina’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Yelena Samarina.

House of 1,000 Dolls

House of 1,000 Dolls
4.9/10
When a vacationing couple in Tangiers run into an old friend there, they discover that he is searching for his missing girlfriend who has been kidnapped by an international gang of white slavers. Nader investigates but before he can come up with anything, his friend is murdered. Meanwhile, nightclub magician Price and his mentalist partner continue their nefarious activities--they hypnotize and kidnap young women for the white slavers, and spirit them to the "House of 1000 Dolls." Written by phillindholm

La Carmen

La Carmen
5.7/10
A young ex-seminarian named José is doing his military service in Córdoba. There he meets Carmen, a beautiful flamenco dancer who falls madly in love, to the point that he steals to get money for her, so he will be imprisoned. José does not support the separation and, when he is driven by the Civil Guard on a train, he runs off by jumping out the window. He then left for Madrid in search of Carmen, who now lives in the company of his uncle, the lame, master of dancers. The woman welcomes José coldly, although they engage in a strange and tense relationship behind the back of El Morao, her former pimp, who lives with her again (jsanchez, IMDb).

Réquiem por un campesino español

Réquiem por un campesino español
6.6/10
  • Genre: CrimeWar
  • Release: 29/08/1985
  • Character: Mujer Carasol 4
Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.

The Blackmailers

The Blackmailers
4.9/10
  • Genre: CrimeDrama
  • Release: 14/06/1963
  • Character: Belly, turista inglesa
A girl has two suitors: a famous bullfighter who is in love and rejecting a pawn. His relationship with the bullfighter is hampered by the harassment to which he submits. After suffering a serious catch, the bullfighter lifesaving through the locket she gave him.

Culpable para un delito

Culpable para un delito
5.9/10
  • Genre: Crime
  • Release: 17/08/1966
  • Character: Patricia

Agonizing in Crime

Agonizing in Crime
4.4/10
  • Genre: CrimeHorror
  • Release: 11/03/1968
  • Character: Susanne
The same day of their marriage, Jean's wife dies of a strange ailment in the middle of surgery. Afflicted by the loss, the young man abandons his medical studies and takes refuge in the memories of his time of courtship. At the same time that this happens, a wave of murders shakes the city with the same pattern of behavior: the victims are surgery students whose bodies have had both hands amputated.

Death Haunts Monica

Death Haunts Monica
5.5/10
The marriage between Federico and Monica is on the rocks. Federico has a mistress named Eva. There is a conspiracy between Monica's friend Elena and Eva to take over the company Eurozone owned by Federico. The situation becomes complicating when Diego appears, Federico's former associate.

Silence of the Grave

Silence of the Grave
5/10
The film resembles a Ten Little Indians plot, with the crew of a Western film in post-production (who are staying as guests on an island retreat) cropping up as corpses one by one after the mysterious and inexplicable kidnapping of a child. The film plays up its traditional mystery angle, with each of the guests being as likely a suspect as the next, in scenes such as one in which all of the guests sit around in the parlor and cast dramatic, accusatory glances at one another.

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