The best Yao Chen’s drama movies

In 1937, eight hundred Chinese soldiers fight under siege from a warehouse in the middle of the Shanghai battlefield, completely surrounded by the Japanese army.

Hong Kong. When Cao Nan and his group of thieves rob an armored car in broad daylight, they don't hesitate to murder innocent people on the run. Lui Ming Chit, a veteran police inspector, is forced to use sinister tactics to catch them.

The story of three women whose worlds collide - a social commentary about the 'sound bite' society we are becoming, where perception becomes reality and judgments based on limited facts quickly spread, without regard for the truth or the damage they could cause.

Dumped by her fiance just two months before their wedding, comic strip writer Sophie hatches an elaborate plan to get her Jeff back and punish the movie star, Joanna, who seduced him away. She finds herself a partner, Gordon, an ex-lover of Joanna's. The two start on a comic adventure full of laughs and tears, aided by Sophie's two best friends, Lucy and Lily. At the eve of her success, Sophie suddenly faced of having to chose between a repentant Jeff and Gordon who has fallen for her.

Three generations of family butt heads during Chinese New Year celebrations.

From acclaimed filmmaker Zhang Meng (The Piano in a Factory), this Chinese remake of Giuseppe Tornatore’s (Cinema Paradiso) Everybody's Fine and its American version starring Robert De Niro is an emotionally stirring drama. The story follows a widower’s visits to his four adult children, who lead distinctly different lives in four rapidly changing Chinese cities. It offers an intimate look at struggles of the young generation in a society transitioning from a collective past to a materialist present.

Li Jie, a lawyer, is taking divorce proceedings to try to get custody of her daughter. As she is working hard to earn a better life for her daughter, she hires a baby sitter, Sun Fang, to watch her child. One day, Li comes home only to find her child and Sun have disappeared. Unfortunately, Li is suspected by both her family and the police, and must lean on herself to trace Sun alone.

Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel's transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.