The best Yang Ik-june’s drama movies
If you love cinema, you will share this ranking of the best Yang Ik-june’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Yang Ik-june.
Canola
7.4/10
A girl who went missing after an accident returns 10 years later and reunites with her grandmother.
Maundy Thursday
7.4/10
About a convicted murderer awaiting execution, and the bond he forms with a suicidal young woman who starts visiting him in jail every Thursday. Yu-Jung (Lee Na-Young) has now attempted her third suicide attempt. Her disdain for her mother and indifference to the rest of the world, isolates her from any chance for happiness. Yu-Jung also has an aunt named Sister Monica. Her aunt often goes to prison to meet with death row inmates. Sister Monica meets a new death row inmate, who asks Sister Monica if he could meet her niece Yu-Jung. Sister Monica asks Yu-Jung if she would counsel this death row inmate and Yu-Jung reluctantly agrees to do so.
Ah, Wilderness: Part 2
7.1/10
Set in the near future around Shinjuku, Tokyo. Shinji got out from a youth detention center. Barikan suffers from stuttering and extreme shyness. These two men meet in a boxing gym. Shinji and Barikan become friends and pursue boxing under a hopeless situation.
The King of Pigs
6.7/10
After his business goes bankrupt, 30 something Kyeong-Min kills his wife impulsively. Hiding his anger, he seeks out his former middle school classmate Jong-Seok. Jong-Seok now works as a ghostwriter for an autobiography, but he dreams of writing his own novel. For the first time in 15 years they meet. Kyeong-Min and Jong-Seok both hide their own current situations and begin to talk about their middle school days.
Breathless
7.5/10
Sang-hoon is a lowlife gangster, a debt collector exercising thuggish ways to collect his money. The recipient of nothing but anger since his childhood, he expresses himself through violence. When he finally encounters someone who can stand up to him, feisty school-girl Yoon-hee they become unlikely friends.
Ah, Wilderness: Part 1
7.2/10
Set in the near future around Shinjuku, Tokyo. Shinji got out from a youth detention center. Barikan suffers from stuttering and extreme shyness. These two men meet in a boxing gym. Shinji and Barikan become friends and pursue boxing under a hopeless situation.
Conduct Zero
6.5/10
When Joong-Pil, the biggest bully in his high-school by far finds himself harboring feelings for a classmate, his entire identity is thrown off balance. Suddenly his smoking, his drinking, his constant swearing and his habit of pushing underclassmen into walls don't seem like good habits anymore. Without his nastiness, who is he? He might just like this girl enough to find out, if he can figure out how.
Maruyama, The Middle Schooler
6.2/10
Katsuya Maruyama (Hiraoka Takuma) is a middle school student boy full of obscene thoughts. He then meets Tatsuo Shimoi (Tsuyoshi Kusanagi), a single father who moves into the same apartment complex. Tatsuo Shimoi is a bit of an enigma: he doesn't get along with the housewives in the apartment complex and doesn't appear to work. Through his encounter with the mysterious single father, Katsuya grows as a person.
The Fake
6.8/10
A convict returns to his home town to torturing again his family and face his neighbors trying to destroy the local religious fanatics and their plans to keep money from the village people.
Set Me Free
6.6/10
The seventeen year old 'Yeong-jae' was safely sent away to the group home 'Isaac's house'. He is old enough to leave now, but doesn't want to go back home to his irresponsible father.
A Quiet Dream
6.9/10
They’re losers, but nice ones. Every day they sit at Yeri’s bar, smitten by the young Chinese-Korean woman. Yeri doesn’t have a preference. To her, they are equally sweet: Jongbin, a milk-drinking epileptic, Ikjune, a former petty criminal, and the introverted Jungbum, who fled from North Korea.
Lovers
Unique sensibility of independent film being ' Triple Treats ' omnibus melodrama tied a piece of 11 short films director .
The Poet and the Boy
6.4/10
A married poet meets a teenage boy working at a donut shop and helplessly develops feelings for him.
Our Homeland
7.2/10
From the late 1950s through the '70s, more than 90,000 of the ethnic Koreans in Japan emigrated to North Korea, a country that promised them affluence, justice, and an end to discrimination. KAZOKU NO KUNI tells the story of one of their number, who returns for just a short period. For the first time in 25 years, Sonho is reunited with his family in Tokyo after being allowed to undergo an operation there. Sonho’s younger sister Rie is at the centre of the film, and is not hard to recognise as the director’s alter-ego. In her documentaries DEAR PYONGYANG and SONA, THE OTHER MYSELF, Yang Yonghi told the story of her own life, and how, at age six, she experienced the departure of her three older brothers, who left their family for Pyongyang.
Viva! Love
An unhappy woman in her 50s is knocked up by her daughter's boyfriend after a one night stand. With the neighborhood in shock and her family up in arms, the woman begins to realize that she's actually found the love she's been pining for in the arms of the young man.
Magic and Loss
2.4/10
A dreamlike drama produced by and starring Sugino Kiki, a rising star in the independent film world. Two women who meet on a mysterious resort island become captivated by its allure and venture into an ethereal realm. It is the second feature directed by Malaysian filmmaker Lim Kah Wai. Japanese Kiki (Sugino) and South Korean Kkobbi (Kim Kkobbi) arrive on Hong Kong's Lantau Island. They have both rented rooms at a hotel near the Mui Wo forest, but when they enter the lobby, the only other person around is a bellboy.
