The best Yana Sekste’s movies

Young and extremely talented dancer Yulya Olshanskaya from a small mining town draws a “happy ticket”: she is noticed by a former ballet dancer Pototsky and he promises her a future of great ballerina, worthy of the main stage of the country. However, in order to become a diamond, anyone, even the most outstanding brilliant, needs to be cut, and the way to the legendary stage of The Bolshoi Theatre for Yulya lies through the walls of the ballet school, where the more capricious teacher Galina Mikhailovna Beletskaya takes custody of the rebellious provincial. Turning into a prima will require incredible self-denial, and Yulya herself will have to make sure that the big ballet is not only the whiteness of the packs, the gold of the boxes and the slip of silk ribbons. But no obstacles will stop the one who has the big dream.

In the second feature film by Russian director Vasily Sigarev, fate brings ordeals to characters that find themselves immersed in deep crisis; they must seek the strength to cope with adversity. In a remote and cold region of Russia, Galya, a middle-aged woman with a drinking problem, has been separated from her twin daughters and she wants them back. On the other hand, Grishka and Anton are a young couple who decide to get married, but right after the wedding their relationship is put to the test in a brutal way. While Artyom longs to see his missing father, but his mother objects. There is only one element that brings all of these characters together: misfortune.

This is a collection of portraits: 23 short stories about the Marij women, a sort of Decameron suspended between magic and realism, in which the Autonomous Republic of the Marij El serves as a backdrop for the collective history of a people of ancient tradition. A journey into a mysterious and unknown part of the world.

The main characters of the film are residents of different places of this country, most common people, with whom most uncommon things, pure wonders, happen. Semyon and Lyuba, a family of fireguards, have a chance to fulfill a dream – to go to Moscow to take part in their favorite TV show “Field of Miracles” (“Pole Chudes”), where they should make a life choice “trophy or money?” An inexperienced officer of Patrol-Guard Service and at the same time an experienced loser Sanya will have to not only survive his first day of service but also to accept his wife’s labors and to reanimate his partner. Four newly acquainted fellows must by any means fly to Moscow in non-flying weather, and a couple of young lovers must reconcile their irreconcilable parents by some mysterious way. Valera has to decide on a dilemma: to save mankind from the Deluge or just to fly with his karaoke-alien-friends in their old UFO? All these things can happen only once a year – on December, 31!

Petersburg. A Selfie comprises seven novellas about the beautiful city of St. Petersburg, Russia, shot by female directors. The film tells a story of a real, living and breathing city, rather than a mythical phantasm. Each novella tells its own story about love and loneliness, luck and hope.

Egor is a vet at a training facility for hunting dogs in a remote region of the country. Surrounded by foxes, deer, badgers, and dogs, he lives in a small building next to the house of the facility's master. He treats the dogs, cleans the kennels, oversees the workers, and meets with clients and their dogs. It's easier for him to get along with dogs than with people. Egor is willing to take on any job to get closer to the facility's master and his near and dear. He wants the impossible - to become a member of that family.

Four women, dividing their world into real and fictional, living only with feelings, constantly craving their own self-realization.