The best Yadigar Ejder’s movies

In prehistoric times, the muscular Yor saves his cave-babe from a dinosaur just before they get zapped into the future to battle bad guys in the familiar desolate wasteland.

He is a civil servant in the bland state office. His whole life changes when his reports get mixed up in the hospital and he gets news that he's going to die very soon.

The film follows the adventures of Murat (Arkın) and Ali (Akkaya), whose spaceships crash on a desert planet following a battle, shown by using footage from Star Wars as well as Soviet and American space program newsreel clips. While hiking across the desert, they speculate that the planet is inhabited only by women. Murat does his "wolf whistle", which he uses on attractive women. However, he blows the wrong whistle and they are attacked by skeletons on horseback, which they defeat in hand-to-hand combat. The main villain soon shows up and captures the heroes, bringing them to his gladiatorial arena so they can fight. The villain tells them he is actually from Earth and is a 1,000 year old wizard. He tried to defeat Earth, but was always repelled by a shield of concentrated human brain molecules, which looks like the Death Star from Star Wars. The only way he can bypass this impenetrable defense is to use a human brain against it.

Inspired by tales from "Arabian Nights", with many a touch of magic, but primarily based on a book by Denmark's Ole Lund Kirkegaard, a master of the baroque stories for children, this adventurer takes the boy Hodja on a flying carpet outing. The boy wants to see the world and asks his girl-friend Emerald along. But an evil Sultan has his own designs on the carpet. Shot on Turkish locations with an extensive use of special effects.

This is one of the tragicomic films of Kemal Sunal who is most "serious-comic" artist of the Turkish cinema. This film also reflects socio-economic and cultural life of the 70's-80's Turkiye. The film obviously talk to Turkish audience but who wonder that era of Turkiye can taste of it. The film underlines of love, friendship and -richness in the poorness- and also is a story about the people who prefers love, instead of money and fortune. The theme and narration may include some populist elements -like most Kemal Sunal films- but generally tells its story as well. The story is familiar to Turkish audience: A young man loves young girl. In most Turkish love films one of the partners is rich or poor according to the other but in this movie both sides are poor and they have many difficulties to reach happy end. In my opinion, these kind of movies always gives hope to people to get over it.

Another story of Gırgıriye Neighbourhood with Müjdat Gezen and Gülşen Bubikoğlu