The best Yūsuke Santamaria’s comedy movies

The movie takes place again in the fictional Wangan Station of the Tokyo Metropolitan Police Department the once empty space within Wangan's jurisdiction has become a popular tourist attraction. When a string of murders of company execs begins taking place, Aoshima jumps at the opportunity to pursue something other than his current case, which he finds less than inspiring. However the powers that be have other ideas, and Wangan again plays host to a special investigation team from headquarters. Aoshima's friend Superintendent Shinji Muroi, assigned by headquarters to assist Okita, is again powerless to help the local officers as decisions are made by the higher ups.

Aoshima, a police detective working in the Bayside Precinct, is continually frustrated by the hierarchy and red tape that plague the system. His friend Muroi is climbing the ladder of the police bureaucracy. Muroi has made a pact with Aoshima that while Aoshima looks after the streets, Muroi would make life easier for the cops on the beat. One day in Bayside, a series of events turns the small station upside down. A corpse is found in the river, then the Police Commissioner is kidnapped, leading to the Metropolitian Police Department to take over the investigation which is led by Murai. Will he be true to his pact with Aoshima and co-operate with the local police? In the meantime, the murder investigation leads to a morbid web page and a deadly chat room in cyberspace...

A record company office worker named Kanna discovers a punk rock band called Shonen Meriken Sakku (Brass Knuckle Boys) through the internet and subsequently decides to represent them on behalf of her company. What Kanna did not know was that the Brass Knuckle Boys consists of all middle aged men.

Constantly on the run from a vicious loan shark, two small-time con artists, Take and Tetsu, plan their biggest and most complex con yet in order to get revenge and retire from a life of crime. However, things get complicated when they cross paths with Mahiro, a young woman that Take inadvertently orphaned during a job gone awry years ago. Seeing Mahiro down on her luck, Take tries to relieve his guilt by taking her on as a partner, while hiding his true identity. But as his plan unfolds, Take discovers that he isn't the only one with a secret.

Hayasaki is an inventor working on an Artificial Body. It is not going well and he is stressed out and on the verge of being fired from the research division of his company. His doppelgänger appears to help him out of the rut he has created for himself.

Trapped in her anemic career and love relationship, a 30-year-old TV commercial director returns to her countryside home in the company of a free-spirited friend. In a bittersweet reunion with an alienated family, her childhood memories of freedom and yearnings creep in the dreamlike blue hour, transcending into a lyricism of self-realization – at once whimsical, agonizing and yet hopeful.

After Detective Shunsaku Aoshima is promoted to section chief he has the daunting task of dealing with eight cases at the same time, which includes a murder case, bomb threat, and a bus hijacking. Complications also arise between Detective Aoshima and his juniors.

How hard is it to kill an idiot? Just ask Kudo Kankuro! The acclaimed screenwriter brings his 2004 Kunio Kishida-winning stage play Donju (a.k.a. Dumb Animal) to the big screen in all its wacky tragicomedic glory. The one and only Asano Tadanobu sports a seriously nerdy bowl haircut to play the leading role of simple-minded novelist Dekogawa who has mysteriously disappeared. Dekogawa wrote an autobiography about his youth that reveals not only his past, but also some of his childhood friends’ best-forgotten secrets. In order to keep the skeletons in the closet, these buddies of yesteryear try to silence him permanently. But no matter how hard they try to kill Dekogawa, he just keeps coming back – because he’s simply too thickheaded to die!

Hajime Onuki (Ryuhei Maruyama) was a thief, but he now works as a welder and lives happily with his girlfriend. Hajime Onuki is threatened by a former partner in crime. He forces Hajime Onuki to break into the mansion of a picture book writer to steal. He is caught by others while in the act, but they keep mistaking him for someone else. Hajime desperately keeps up the ruse to not get caught.

Ayumi Nitta is a member of a hospital cleaning staff and suffers from extreme social anxiety. After having a one-night stand with genius surgeon and sex addict Wataru Makino, Ayumi discovers she’s pregnant. However, when she tells Wataru, he dismisses her claim as a bad April Fools joke. Refusing to believe he could possibly be the father of Ayumi’s baby after just one night together, Wataru takes a woman named Reiko on a date to an Italian restaurant. However, Ayumi also shows up, leading to a major incident.

Sachiko is an university student. Her nickname is Buko, because she has been negative about everything since she was young. Sachiko believes someday she will meet a man like in a romance manga. Her university life is boring and she spends her time reading romance manga in her room. One day, on Twitter, she meets a man who uses the user ID of Sparrow. He likes reading manga and looks like Johnny Depp. Sachiko makes a date to meet the man. She tries to change herself, but it's not so easy due to various unexpected incidents.

Kosuke is 31, and tired of his hometown where nothing happens. On a whim, he departs for New York with dreams of making it big. 6 months later, he straggles home... defeated, and saddled with debt. Awaiting him are his old friends, a caring sister, a disgruntled father ...and a bowl of noodles. Namely, "udon" noodles. The town is built around udon, sustained by udon, nationally famous for udon.

Once a year, on Christmas Eve, Cafe Telekinesis holds a real psychic party. At the party, psychics gather together to show off their abilities while for the rest of the year they hide their abilities. Yone Sakurai is a program director for a psychic variety TV show called "Asunaro Psychic". She is stressed out and tired from her work, but proud of what she is doing. Yone actually believes in psychic abilities. By an audience request a new plan is set out for the program, a plan which requires the show to uncover real psychics or psychic events.