The best Yōsuke Natsuki’s science fiction movies
We present our ranking of the best Yōsuke Natsuki’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Yōsuke Natsuki.
The Return of Godzilla
6.8/10
After a fishing boat is attacked, the sole surviving crew member realizes it is none other than a resurrected Godzilla. However, efforts to bring the story to light are suppressed by the Japanese government amid growing political tensions between the United States and the Soviet Union, who are both willing to bomb Japan to stop the monster.
Godzilla 1985
6.1/10
Originally released in Japan as "The Return of Godzilla" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Godzilla". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.
Ghidorah, the Three-Headed Monster
6.5/10
A meteor lands in Kurobe Valley as detective Shindo is assigned to protect Princess Salno from assassination. She emerges under the guise of a Venusian prophetess and catches the attention of journalist Naoko and Mothra's fairies by predicting a powerful space monster's arrival. The infant Mothra must convince Godzilla and Rodan to set aside their hatred of humanity or face the monster alone.
Dogora
5.6/10
An floating amorphous life-form descends from the atmosphere to consume carbon in the form of diamonds.
The H-Man
6/10
Nuclear tests create a radioactive man who can turn people into slime.
The Monster X Strikes Back: Attack the G8 Summit
5.2/10
When heads of state gather at the G8 summit in Japan, Guilala -- the intergalactic monster that had been banished from the earth in The X from Outer Space -- returns to ravage the Japanese countryside and threaten the world leaders. Military strikes prove futile against the beast, but a reporter learns that one rural community possesses a strange ritual that might influence the creature. Minoru Kawasaki directs this campy satire.
