The best Yōichi Numata’s crime movies

After being cruelly set up by a crooked detective named Sugimi (Isao Natsuyagi), whom she loved, Nami Matsushima (aka Matsu the Scorpion) (Meiko Kaji) is sentenced to do hard time in a women's prison, which is run by sadistic and horny male guards. There are 700 other prisoners, making Matsu number 701. Her crime was making a failed attempt to stab Sugimi on the steps of the Tokyo Metropolitan Police Headquarters because he used her to win favor with the Yakuza. While in prison she meets inmates like Yuki Kida (Yayoi Watanabe) who was committed for fraud and theft, Otsuka (Akemi Negishi), jailed for burglary and extortion, and Katagiri (Rie Yokoyama) who has been impounded for arson and illegally disposing of a body.

Okatsu the Fugitive is the third film in the "Ohyaku/Okatsu" series. Okatsu; a "tomboy" who is good with a sword. Her father has found her a man to marry and actually she doesn't seem too upset about the situation. At the same time, a bunch of farmers are being slaughtered by a corrupt group running a tobacco smuggling ring. They're being investigated by a man who is documenting their crimes and when they find out about it, they torture him for information but get none. It's not long before he and Okatsu's mother wind up dead and she sets out for revenge.

Tokyo, 1934. The boss of the clan that controls gambling agonizes and some of his followers propose to Nakai to take his place, but he refuses the offer and suggests they choose Matsuda, who is in prison. Other clan members oppose and Ishido is elected. When Matsuda is freed, he doesn't accept this decision.

Superbly entertaining action comedy with Tomisaburo Wakayama as Kuriyama Capone who learned his trade under Al Capone in Chicago. The film follows his first venture to Japan with gangster brothers Frank (Shingo Yamashiro) and Joe (Fumio Watanabe). And being chased by gangster and the FBI, including the granddaughter of Eliot Ness. The whole thing is a good amount of fun, the performances especially (Wakayama, Yamashiro, Watanabe in a rare heroic role), making this one of routine director Takashi Harada’s best pictures.