The best Xavier Deluc’s drama movies
If you love cinema, you will share this ranking of the best Xavier Deluc’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Xavier Deluc.
The Pianist
7.3/10
Mario Gas directed this music-themed Spanish drama set in Barcelona of the mid-'80s. When famed composer Lluis Doria (Laurent Terzieff) visits a transvestite club, he learns his lifelong friend Albert Rossell (Serge Reggiani) is the house pianist. A flashback takes the tale four decades into the past where the younger Rossell (Pere Ponce) rejoins Teresa (Paulina Galvez) after having spent years in prison for helping anti-Franco anarchists. The story continues into Paris of the '30s, the period when Doria and Rossell first met, sharing a mutual interest in music and Teresa, before civil war sent them in different directions.
Cours Privé
5.5/10
Jeanne Kern is a pretty, somewhat repressed schoolteacher who suffers a smear campaign at work. Someone has been sending her director letters accusing her of lewd and immoral conduct. Matters take a turn for the worse when a photograph of an orgy is sent to all the faculty with one face cut out; presumably, the face is hers.
The Temptation of Isabelle
5.3/10
Bruno devises a mean to test the love of his girlfriend Isabelle. Since Isabelle had been in love with Alain in the past, Bruno invites Alain to a surprise birthday party for her at a hotel -- what better way to judge her feelings than to get them together? Alain arrives with his current girlfriend Lio. Soon after the two couples start the evening off, their polite exteriors deteriorate.
La brute
4.4/10
États d'âme
4.7/10
In this political drama, five left-leaning friends gradually lose heart in the Socialist government elected in 1981 in France. One of the five men is a television broadcaster; the others are a teacher about to become an academic inspector, a tax man, the director of a cultural center, and a sociologist who is about to step into a ministerial position. Their interlocking lives are told in alternating vignettes over a four-year period, and the professions director Jacques Fansten has chosen for his main characters seem to be a comment on the media, education, budget or finance, the arts, and government bureaucracy under Socialist rule.
