The best Wolfgang Greese’s movies
Today we present the best Wolfgang Greese’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Wolfgang Greese’s movies.
Beethoven – Tage aus einem Leben
6.5/10
Vienna, 1813-1819: Beethoven (played by Donatas Banionis) is at the peak of his fame. Orchestras all over the world play his music, but he lives modestly and is dependent upon private patrons. Nagged by his patronizing brothers, spied upon by officials for his republican beliefs and faced by his progressive hearing loss, the composer becomes more and more isolated. Seeman’s poetic film explores the joys, heartbreak and artistic spirit of the great composer as he works on his Ninth Symphony.
Eolomea
5.7/10
Eight space cargo-ships disappear without a trace within three days. And the orbit station "Margot" has suddenly fallen silent. The space council is faced with a mystery and the scientist in charge, Maria Scholl, sees no other solution than ordering a total flight stop to this mysterious sector of space. Her colleague, Prof. Tal seems to be suspicious since he knows things before they are even released. A forbidden look into his personal file brings to light that Tal was part of the Eolomea project that never found approval of the commission in charge.
Tecumseh
5.6/10
At the beginning of the 19th century, white settlers regularly make and break treaties with the Native American inhabitants to gain possession of vast hunting grounds at ludicrously low prices without any bloodshed. Harrison, Governor of Indiana, has made and broke no less than fifteen such treaties, driving increasing numbers of Indians out to the infertile West. To put a stop to this criminal practice, the Shawnee Chief Tecumseh tries to unite the Native Americans.
Spring Symphony
6.2/10
"Spring Symphony" is the story of Robert Schumann and Clara Wieck. Both were music entities. Robert Schumann turns out to have been a second tier composer, if that, never rising to the heights of a Beethoven or Mozart. In contrast, Clara Wieck was a master technician in the playing of the piano, a composer (probably not at Schumann's level), and was a child prodigy.
Unterm Birnbaum
6.3/10
Abel Hradscheck, the owner of an inn in the Oderbruch country, faces financial ruin. For this state of affairs, Ursula, his wife and former actress, is by no means free of blame. She is a "newcomer" to the area and even after eleven years in the area, still a "stranger". A Cracow company announces that a money-collector is on his way to the innkeeper. Mr. Szulski arrives and the debts are settled - with money supposedly stemming from an inheritance. The next day, Szulski departs but according to the maid and the stable-boy, behaves in a very strange manner. Soon afterwards, his carriage is discovered in the Oder River, but there is no trace of the drowned man. Hradscheck's neighbor starts casting suspicion on the innkeeper. The Counselor of Justice, who heads the investigations has the spot under the pear tree dug out. A dead body is exhumed...
Who's Afraid of the Devil
6.7/10
Based on a fairy tale by the Brothers Grimm: Jakob is a poor farmer′s boy. Because of his timidity that even makes him run away from mice, he is often ridiculed by other people. Even the king is ill-disposed towards him. One day he sends Jakob to the devil to rob him of three golden hairs. This is supposed to be Jakob′s certain death. But naïve Jakob gets going and on his way even promises the oppressed subjects of the king to ask the devil for a way out of their misery.
The Architects
7/10
The architect Daniel Brenner is in his late thirties when he receives his first challenging and lucrative commission: to design a cultural center for a satellite town in East-Berlin. He accepts the offer under the condition that he gets to choose who he works with. This way, he reunites with former colleagues and friends - most of them architects or students of architecture who have since chosen a different profession due to personal restraint or economic confinement. Together, they develop a concept which they hope will be more appealing to the public than the conventional and dull constructions common to the German Democratic Republic. However, their ambitious plans are once and again foiled by their conservative supervisors. As frustration grows, Daniel has trouble keeping his career in balance with his family-life: his wife Wanda wants to leave for West-Germany.
Martin Luther
7.6/10
Benno macht Geschichten
7.1/10
Benno (Torsten Rennert), a bright boy from Berlin, is not really a problem case, although his parents have enough trouble with him. But that's not just because of Benno, but because no one really has time for him. During a train ride, he meets a pensioner Oskar Schrader (Erwin Geschonneck), who likes to cook, collect watches, master magic tricks and who lives in the middle of nature. Between them they develop a real friendship. Benno is allowed to spend his school holidays with his friend. The grumpy Oskar lives alone in a garden colony - with friendly and unfriendly neighbors. Benno enjoys playing tricks with his buddy Mutz (Thomas Hoffer) on this neighborhood including the cranky animal lover Irma Kalweit (Agnes Krause) and the rude daredevil Ralf Klotz (Henry Hübchen).
The Keys
7/10
During their holiday in Kraków, a young worker and a student are asked if their love, despite different views on life, will endure.
Albert Einstein
6.8/10
Two part movie about Einstein's escape from Germany in 1932 and his influence in the invention of the nuclear bomb in 1939.
Der Mord, der nie verjährt
Film by Wolfgang Luderer.
I Was Nineteen
7.5/10
April 1945: Gregor Hecker, 19 years of age, reaches the outskirts of Berlin as part of the Red Army's scouting team. Having fled Germany with his family when he was eight, he is confronted with the dilemma of having to fight men from the very country he was born in. Through dealing with challenging situations (e.g. he is appointed commander of Bernau, talks to many disillusioned Germans, and is once and again attacked by scattered groups of German soldiers), he grows more confident that not all hope is lost for post-war Germany.
When You're Grown Up, Dear Adam
6.4/10
Adam receives a flashlight with special powers: every liar it shines on flies into the air. Production was cancelled in 1965/66 due to the film's political content. Only in 1989/90 could the director reconstruct the film, where missing sounds and images are replaced with script inserts.
Lot's Wife
7.6/10
The marriage of Katrin and Richard Lot has become a routine. She has a career and he, as a Marine officer, comes home only once every fourteen days. The children greet him with joy, but she greets him only with anxiety because their marriage is missing its key ingredient: love. She wants a divorce, but he refuses mainly out of comfort as well as due to pressure from the party. Katrin finds a strange solution: she shoplifts and is put on probation for three months. This is enough to force Richard into a divorce because he is concerned about the "moral liability" of his wife.
Lebende Ware
In 1944, SS-Obersturmbannführer Becher arrives in Budapest in order to obtain material for the Waffen-SS. At the same time, he starts to gather private property by offering an insidious choice to the corporation′s Jewish majority shareholder, Dr. Chorin: Either Chorin assigns the company to Becker "on his own free will" – thereby obtaining the permission to travel abroad - or he his family will end up in an extermination camp.
Farewell
6.8/10
In August of 1914, amidst the public ecstasy surrounding the impending war, Hans Gastl, the young son of a Munich bürger, makes a decision: he will not take part in this war. This resolution signifies a turning point in his life; a farewell to his class and his family.
My Father Alfons
5.7/10
Ten years old Ernst and his father Alfons are traveling to the family event on their bikes.
Junge Frau von 1914
6.4/10
Max und siebeneinhalb Jungen
5.7/10
Max Stricker, an old anti-fascist, informs a class of eighth graders before their planned visit to the former concentration camp in Buchenwald. But the boys and girls are not very interested in Max′s lecture and instead stop his lecture with their constant interferences. On the trip to Buchenwald, the class roughnecks around wannabe hoodlum King also want to cause trouble. Thus, a small group of pupils secretly leaves the train before it arrives. Max notices the runaways, follows them, and offers them a bet: He challenges them to get to Weimar on their own, with only five Marks left.
