The best William Scott-Masson’s movies
Today we present the best William Scott-Masson’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best William Scott-Masson’s movies.
Braveheart
8.3/10
Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord's soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.
Swept from the Sea
6.7/10
The film tells the story of Russian emigree and the only survivor from ship crash Yanko Goorall and servant Amy Foster in the end of 19th century. When Yanko enters a farm sick and hungry after the shipwreck, everyone is afraid of him, except for Amy, who is very kind and helps him. Soon he becomes like a son for Dr. James Kennedy and romance between Yanko and Amy follows.
Cold Comfort Farm
7.2/10
In this adaptation of the satirical British novel, Flora Poste, a plucky London society girl orphaned at age 19, finds a new home with some rough relatives, the Starkadders of Cold Comfort Farm. With a take-charge attitude and some encouragement from her mischievous friend, Mary, Flora changes the Starkadders' lives forever when she settles into their rustic estate, bringing the backward clan up to date and finding inspiration for her novel in the process.
Pandaemonium
6.4/10
Set in England during the early 19th century, Pandaemonium evokes late-1960s America in its depiction of the relationship between Samuel Taylor Coleridge (Linus Roach) and William Wordsworth (John Hannah). Instead of going to Vietnam, Wordsworth goes off to fight against the French while Coleridge stays at home and promotes utopianism. After the war, the poets live and work together with Coleridge's wife, Sara (Samantha Morton), and Wordsworth's sister, Dorothy (Emily Woof). At first this communal arrangement works to the advantage of Coleridge--who does some of his best writing while Wordsworth stagnates--until Coleridge becomes addicted to opium. Wordsworth, meanwhile, doesn't find his voice until he abandons his friend. In 20th-century vernacular, Wordsworth is the yuppie, Coleridge the hippie.
Sunday
7/10
Sunday tells the story of an infamous day in Derry, North of Ireland and how the events of that day were subsequently covered up by the British Government of the time. On Sunday 30th January 1972 a peaceful civil rights march against internment (imprisonment without trial), organised by the Northern Ireland Civil Rights Association (NICRA) ended with 13 marchers shot dead and 15 wounded. It became known throughout the world as Bloody Sunday. Told primarily from the perspective of the Derry community, juxtaposed with the British Army/state's preparations and reaction to the day, Sunday communicates the forensic and emotional truth of what happened
