The best William S. Burroughs’s documentary movies
Today we present the best William S. Burroughs’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best William S. Burroughs’s movies.
William S. Burroughs: A Man Within
7.1/10
A riveting and emotional journey into the world of writer William S. Burroughs, a man considered as cold as an iceberg on a winter night.
Uncle Howard
7/10
When Howard Brookner lost his life to AIDS in 1989, the 35-year-old director had completed two feature documentaries and was in post-production on his narrative debut, Bloodhounds of Broadway. Twenty-five years later, his nephew, Aaron, sets out on a quest to find the lost negative of Burroughs: The Movie, his uncle's critically-acclaimed portrait of legendary author William S. Burroughs. When Aaron uncovers Howard's extensive archive in Burroughs’ bunker, it not only revives the film for a new generation, but also opens a vibrant window on New York City’s creative culture from the 1970s and ‘80s, and inspires a wide-ranging exploration of his beloved uncle's legacy.
Wanderlust
6.7/10
A look at the mystique of road movies, combining interviews, film clips, music, photography, literature and a narrative storyline featuring Paul Rudd and Tom McCarthy.
Glitterbug
6.5/10
A collage of Derek Jarman's super 8 footage spanning over 20 years.
Burroughs: The Movie
7/10
An exploration of Burroughs’ life story, as told by Burroughs himself along with many of his contemporaries, including Allen Ginsberg, Brion Gysin, Francis Bacon, Herbert Huncke, Patti Smith, Terry Southern, and William Burroughs Jr.
Heavy Petting
6.1/10
HEAVY PETTING is a hilarious and salacious exploration of the sexual mores of the 50's as seen through the eyes of a generation that lived through the Sexual Revolution. Creative baby boomers-- including musician David Byrne, performance artist Spalding Gray, comedian Sandra Bernhard, radical activist Abbie Hoffman, and poet Allen Ginsberg-- candidly recall their sexual coming-f-age tales in intimate interviews. Joyously campy and refreshingly carefree, HEAVY PETTING blends humorous, unbelievable footage of unhelpful sex-ed films with classic snippets of THE WILD ONE and Elvis' hip gyrations, not to mention Bernhard talking about playing "doctor", always observant Ginsberg on a disastrous encounter with a girl, and Byrne on the childhood myths of masturbation. Eternal mysteries such as the female orgasm, the universal appeal of Marilyn Monroe, and the rituals of high school are laid bare by this lovable group of characters.
Home of the Brave
7.9/10
Home of the Brave is a 1986 American concert film directed by and featuring the music of Laurie Anderson. The film's full on-screen title is Home of the Brave: A Film by Laurie Anderson. The performances were filmed at the Park Theater in Union City, NJ, during the summer of 1985.
The film included appearances by guitarist Adrian Belew, author William S. Burroughs (who famously briefly dances a slow tango with Anderson during one song), keyboardist Joy Askew, and percussionist David Van Tieghem. Also, Barry Sonnenfeld, who was early in his movie-making career, receives an early film credit for operating second projection camera on this film.
FLicKeR
6.4/10
In 1960, Brion Gysin invented the Dream Machine, a hypnotic light device with the power to induce hallucinations, drugless highs, and revolutionize human consciousness. It looks simple enough; a 100-watt light bulb, a motor, and a rotating cylinder with cutouts. Just sit in front of it, close your eyes, and wait for the visions to come. The Dream Machine enthralled mystics and freethinkers everywhere; Kurt Cobain had a dream machine, and William S. Burroughs thought it could be used to “storm the citadels of enlightenment.” With a custom-made Dream Machine in tow, director Nik Sheehan takes us on a journey into the life of Brion Gysin; his art, his complex ideas, and his friendships with some of the most eccentric counter-cultural icons. Taking the Dream Machine as the basis of its explorations, FLicKeR asks crucial questions about the nature of art and consciousness, and imagines a humanity liberated to explore its creativity in complete freedom.
Naked Making Lunch
7.1/10
A 1992 documentary about the making of Naked Lunch.
Poetry in Motion
7/10
More than 20 contemporary North American poets recite, sing, and perform their work. Several also comment. Early in the film, Charles Bukowski talks about the energy of poets and of a poem. These poets are energetic performers, and their poems are meant to be heard. These poets are the children of Walt Whitman and of Charles Olson, incantatory and oratorical, radical, sometimes incorporating contemporary political imagery. Black Mountain poets, the Beats, minimalists like John Cage, the wordless Four Horsemen, Tom Waits, and others capture aspects of poets as troubadours. Written by
The Ballad of Genesis and Lady Jaye
6.7/10
An intimate, affecting portrait of the life and work of ground-breaking performance artist and music pioneer Genesis Breyer P-Orridge (Throbbing Gristle, Psychic TV) and his wife and collaborator, Lady Jaye, centered around the daring sexual transformations the pair underwent for their 'Pandrogyne' project.
Poem Posters
... with real-life portraits of Jayne Mansfield, Frak O'Hara, Ruth Ford, Ned Rorem, Virgil Thomson, Claes Oldenburg, Roy Lichtenstein, William Burroughs, Andy Warhol, Rudy Gernreich, Jonas Mekas and others.
The Making of Drugstore Cowboy
Portland, 1988. Filmmaker Gus Van Sant shoots Drugstore Cowboy, the project that will bring he and his collaborators a formidable burst of mainstream attention. Starring Matt Dillon, Kelly Lynch, and Heather Graham, the film follows a roving quartet of drug addicts — and, consequently, drug thieves, especially from the businesses of the title — who wash up in Portland's then-gritty Pearl District. A death among their own spooks the leader of the pack into trying to clean up, and an encounter with a sepulchral junkie priest does its part to convince him further. Or maybe we should call him a Junkie priest, portrayed as he is by a controversial cameo from writer William S. Burroughs. "I'm going back to the old days," Burroughs says of his role early in the above documentary on the making of Drugstore Cowboy. "The old days when they used to give people morphine in jail. The old days before the methadone programs."
Don't Blink: Robert Frank
6.8/10
The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they're one in the same, and the vast amount of territory he's covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early '90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don't Blink is Israel's like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.
Ornette: Made in America
7/10
Shirley Clarke's frenetic documentary about multi-talented musician Ornette Coleman.
Robert E. Fulton III Edit of Burroughs: The Movie
After two years of filming, director Howard Brookner brought inventor and photographer Robert E. Fulton III a trunkful of William S. Burroughs footage to see if Fulton could edit his film. The result was a decidedly experimental 23-minute cut. The director was looking for a more narrative approach, so Fulton’s edit was never used.
The Dream Machine
5.7/10
A short non-narrative film made to commemorate the visit of Burroughs and Gysin to the UK. The film consists of multiple short vignettes: Witches Song (1979), Broken English (1979), Ballad Of Lucy Jordan (1979), Pirate Tape (Derek Jarman, 1983) and T.G.: Psychic Rally In Heaven (Derek Jarman, 1981).
Shamans of the Blind Country
8.2/10
A documentary epic on magical healing in the Himalayas.
Relics: Einstein's Brain
7.7/10
Documentary about Kenji Sugimoto, professor in Math and Science history at Kinki university in Japan. He has spent the last 30 years publishing works about Einstein and his personality. To complete his works he travels to America to find Einstein's brain.
Condo Painting
7.2/10
John McNaughton's spotlight on George Condo and his art. The film, which follows the progress of Condo's large-scale oil painting Big Red over the course of one year, features an appearance by Allen Ginsberg, as well as footage of Condo collaborating with William S. Burroughs on paintings the two made together at Burroughs' Kansas home in the mid-1990s.
