The best William Orlamond’s drama movies

As lifelong best friends Leo and Ulrich return home following completion of their military training, Leo sees stunning Felicitas at the railway station and, mesmerized by her beauty, is smitten. A scandal follows, for which Leo is sent away. Returning home three years later, he discovers that much has changed.

A young woman hits Hollywood, determined to become a star.

When Letty Mason relocates to West Texas, she finds herself unsettled by the ever-present wind and sand. Arriving at her new home at the ranch of her cousin, Beverly, she receives a surprisingly cold welcome from his wife, Cora. Soon tensions in the family and unwanted attention from a trio of suitors, including neighbor Lige Hightower, leave Letty increasingly disturbed, resulting in tragedy.

Camille is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hope of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Camille discovers that Armand has not lost his love for her.

It's the early nineteenth century Washington. Young adult Margaret O'Neal, Peggy to most that know her, is the daughter of Major William O'Neal, who is the innkeeper of the establishment where most out-of-town politicians and military men stay when they're in Washington. Peggy is pretty and politically aware. She is courted by several of those politicians and military men who all want to marry her, except for the one with who she is truly in love.

Sergeant Malone of the Mounties and effeminate Etienne Doray are both in love with Rose-Marie, but she doesn't light up until soldier of fortune Jim Kenyon drifts into the post. Soon Jim is accused of murder but he escapes. To save him Rose-marie agrees to marry influential Etienne. Meanwhile, Malone is chasing the real murderer Black Bastien. Malone is killed, Black escapes and Jim is exonerated.

A tough New York cop is determined to bring down a crook who has always managed to provide an alibi for the crimes he's been accused of, even though the detective knows he's guilty of committing them.

Bar entertainer Zara is a discontented alcoholic who is pursued by many men but lives with novelist Carl Salter. One day, Tony shows up on Salter's estate claiming that Zara is actually Maria, the wife of his close friend Bruno, claiming that her memory was destroyed during World War I. Zara doesn't remember but leaves with Tony to Salter's dismay. Bruno, now an officer in the Italian Army, tries to coax Maria's memory back on his large estate. No one is really sure if Zara is Maria, and when Salter shows up with a mental case from Trieste that he claims is the real Maria, everyone on Bruno's estate is desperately searching for the truth.

A law student poses as a fight promoter to catch a notorious gangster.

Better known for her work in talkie "weepers," Helen Twelvetrees made a few preliminary appearances in such late silent films as Fox's Blue Skies. The audience was expected to believe that the twentysomething Twelvetrees and Frank Albertson are teenagers living together platonically in an orphan asylum. A wealthy old man comes calling to adopt Albertson -- who, feeling sorry for Twelvetrees, trades places with the girl. Thus it is that the heroine is carted off to a luxurious mansion, while Albertson remains behind. One year later, the old man discovers Albertson's deception, whereupon he invites the boy to live with him as well. By this time, Twelvetrees and Albertson are of marriageable age, thus the film ends with a wedding in the offing.

THE AWAKENING was nominated by the Academy for its Art Direction in the first transitional year of the talkies. A vast number of films from this year are lost and this is no exception. No print or negative materials are known to exist at this time. William Cameron Menzies received his third nomination for this film, having received two the prior year and winning for both.

A welcome guest of the French aristocracy, Monsieur Picard having been awarded the Croix De Guerre, is also a master thief who baffles the Parisian police. One night, while Picard watches an Apache dance, he learns that one of his three adopted children is seriously ill. When his car breaks down, Picard politely forces Helen Deprenay to loan him her auto, and leaves his cross as security. The next day, the police pursue Picard to the Deprenay home where the prefect warns Helen about Picard. Helen writes to the entreating Picard, and refuses to see him until he proves himself of worth to society. Disguised as Scotland Yard agent Armand DuBois, Picard is present at the Deprenay home when a necklace is stolen. After Helen covers for him, Picard catches the thief in an attempt to swindle the entire community in a stock market scheme. He informs the police that Picard no longer exists, and escapes with Helen to a new life.

All the Brothers Were Valiant (1923)

Jeffrey Dwyer is a writer and a poet who wrestles with the conflicts between his idealism and his passion. The two sides of his nature are personified in the women he loves: the sweetly innocent Joan Converse, and the sexy, charismatic Inez Martin.