The best William Edmunds’s action movies

William Edmunds

William Edmunds

01/01/1885- 07/12/1981
Today we present the best William Edmunds’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best William Edmunds’s movies.

The Mark of Zorro

The Mark of Zorro
7.5/10
Around 1820 the son of a California nobleman comes home from Spain to find his native land under a villainous dictatorship. On the one hand he plays the useless fop, while on the other he is the masked avenger Zorro.

The Black Swan

The Black Swan
6.7/10
When notorious pirate Henry Morgan is made governor of Jamaica, he enlists the help of some of his former partners in ridding the Caribbean of Buccaneers. When one of them apparently abducts the previous governor's pretty daughter and joins up with the rebels, things are set for a fight.

Paris Calling

Paris Calling
6.1/10
Marianne Jannetier, a well-to-do Parisian, engaged to Andre Benoit, a high-ranking government official, flees the city when the goose-stepping Nazi storm-troopers arrive. When her mother dies on the road to Bordeaux as a result of Nazi bombing, she returns to Paris and joins the underground movement. Nicholas Jordan, an American member of the RAF, stranded in Paris after the evacuation is also working with the Paris underground. Marianne kills her former fiancée, a pro-Nazi informant, for the traitorous state papers he is carrying, and she and Jordan try to flee over a French seaport...

Swamp Fire

Swamp Fire
5.4/10
Highlights in this one include a fist-fight between Johnny Weissmuller and Buster Crabbe (I won't give away the winner, but check the cast order); a cat-fight between Virginia Grey and Carol Thurston that the male cast of Sienfeld would pay to see and, just to keep things moving, Weissmuller wrestles an alligator, and there are two mid-water collisions between small-craft boats, a big ship wreck and a blazing swamp fire finale. Toss in a plot that has Weissmuller as a psycho-neurotic war veteran who, because he piled up his Navy destroyer on the rocks, now dreads returning to his pre-war occupation of a pilot guiding ships through the channels at the mouth of the Mississippi. Throw in icy Virginia Grey as a spoiled heiress out to take Johnny away from his job, his friends and the girl he loves (who knows why), and you have enough plot and action for two Pine-Thomas jewels.

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