The best Willem Dafoe’s music movies
William James "Willem" Dafoe (born July 22, 1955) is an American actor. He is known for his distinct gravelly voice, and has received multiple accolades, including nominations for four Academy Awards and three Golden Globe Awards. He has frequently collaborated with filmmakers Paul Schrader, Abel Ferrara, Lars von Trier, Julian Schnabel, and Wes Anderson.
Dafoe was an early member of experimental theater company The Wooster Group, where he acted in several productions. He made his film debut in Heaven's Gate (1980), but was fired during production. He had his first leading role in the outlaw biker film The Loveless (1982) and then played the main antagonist in Streets of Fire (1984) and To Live and Die in L.A. (1985). He received his first Academy Award nomination for his role as Sergeant Elias Grodin in Oliver Stone's war film Platoon (1986). In 1988, Dafoe played Jesus in Martin Scorsese's The Last Temptation of Christ and starred in Mississippi Burning, both of which were controversial. Following small roles in Born on the Fourth of July (1989) and Wild at Heart (1990), he began a six-film collaboration with director Paul Schrader with the drama Light Sleeper (1992). He starred in the critically panned erotic thriller Body of Evidence (1993) and then co-starred in Clear and Present Danger (1994), The English Patient (1996), Speed 2: Cruise Control (1997), and The Boondock Saints (1999).
After receiving his second Academy Award nomination for portraying Max Schreck in Shadow of the Vampire (2000), Dafoe played Norman Osborn in the superhero film Spider-Man (2002), the villains in Once Upon a Time in Mexico (2003) and XXX: State of the Union (2005), and Carson Clay in the film Mr. Bean's Holiday (2007). In 2009, he starred in the experimental film Antichrist, one of his three films with Lars von Trier. Dafoe then appeared in The Fault in Our Stars, John Wick, The Grand Budapest Hotel (all 2014), The Great Wall (2016), Murder on the Orient Express (2017), The Florida Project (2017), for which he received his third Academy Award nomination, Aquaman (2018) and The Lighthouse (2019). He has also had voice-over roles in Finding Nemo (2003), its sequel Finding Dory (2016), and Fantastic Mr. Fox (2009), voice and motion capture roles in John Carter (2012) and Death Note (2017), and vocal contributions to the video games Spider-Man (2002), Finding Nemo (2003), James Bond 007: Everything or Nothing (2004), and Beyond: Two Souls (2013).
Dafoe has portrayed several real-life figures, including T.S. Eliot in Tom & Viv (1994), Pier Paolo Pasolini in Pasolini (2014), Vincent van Gogh in At Eternity's Gate (2018), for which he received an Academy Award for Best Actor nomination, his first in that category, and Leonhard Seppala in Togo (2019). Dafoe has dual citizenship of the United States and Italy.
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Cry-Baby
6.5/10
A prim and proper schoolgirl goes against her grandmother's wishes when she dates a motorcycle-riding juvenile delinquent.
Vox Lux
5.8/10
In 1999, teenage sisters Celeste and Eleanor survive a seismic, violent tragedy. The sisters compose and perform a song about their experience, making something lovely and cathartic out of a catastrophe - while also catapulting Celeste to stardom. By 2017, Celeste is a mother to a teenage daughter of her own and is struggling to navigate a career fraught with scandals when another act of terrifying violence demands her attention.
Sportin' Life
5.6/10
Sportin’ Life is the sixth incarnation of the international art project Self, curated by Saint Laurent’s creative director, Anthony Vaccarello. This project is an artistic commentary on society while emphasizing the complexity of various individuals through the eyes of artists who evoke the Saint Laurent attitude of confidence, individuality and self-expression. The documentary is an exploration into the sources and personal history of creativity, the essential life of an artist. Raw and sharp, it has the feeling of a moment in time that is still happening. Abel Ferrara’s intimate and lush look at his own life, his world refracted through his art – music, filmmaking, his collaborators and inspirations such as Ferrara’s early works and his creative partnerships with Willem Dafoe, Joe Delia, Paul Hipp and the musicians who inspired this work.
River
7.1/10
A cinematic and musical odyssey that explores the remarkable relationship between humans and rivers. Throughout history, rivers have shaped our landscapes and our journeys; flowed through our cultures and dreams. RIVER takes its audience on a journey through space and time; spanning six continents, and drawing on extraordinary contemporary cinematography, including satellite filming, the film shows rivers on scales and from perspectives never seen before. Its union of image, music and sparse, the poetic script will create a film that is both dream-like and powerful, honouring the wildness of rivers but also recognizes their vulnerability.
Atalanta Strategy
The story of Willard from Ashley's opera Atalanta, recounted in 3 parts.
Theatron. Romeo Castellucci
Theatron, the film by the multi-award-winning film-maker Giulio Boato, is an unprecedented portrait of Romeo Castellucci. Castellucci and his theatre company, the Socìetas Raffaello Sanzio, are key protagonists of avantgarde theatre. To a Vivaldi soundtrack, Theatron layers Romeo and Claudia Castellucci’s comments with the testimonies of dramaturgs, composers, choreographers, critics and actors (including Willem Dafoe) who have collaborated with the director. Between rehearsals and international tours, the film is a deep reflection not just on the performances, but also on the connection between the author and the representation of human nature.
7 Deaths of Maria Callas
7 Deaths of Maria Callas is a continuation of Marina Abramovic's lifelong meditation on the female body as a source of both power and pain. Here Abramovic turns her focus to renowned opera singer Maria Callas, whose stunning soprano voice captivated audiences around the world in the mid-20th century as her life was beset by struggle and scandal. Through a mix of narrative opera and film, Abramovic recreates seven iconic death scenes from the American-born Greek singer's most important roles - in La Traviata, Tosca, Otello, Madame Butterfly, Carmen, Lucia di Lammermoor, and Norma - followed by an interpretive recreation of Callas' own death performed onstage by Abramovic herself.
