The best Willard White’s drama movies

Willard White

Willard White

We present our ranking of the best Willard White’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Willard White.

Amadeus

Amadeus
8.4/10
  • Genre: DramaHistoryMusic
  • Release: 19/09/1984
  • Character: Antonio in 'The Marriage of Figaro' / Leporello in 'Don Giovanni' (singing voice) (uncredited)
Wolfgang Amadeus Mozart is a remarkably talented young Viennese composer who unwittingly finds a fierce rival in the disciplined and determined Antonio Salieri. Resenting Mozart for both his hedonistic lifestyle and his undeniable talent, the highly religious Salieri is gradually consumed by his jealousy and becomes obsessed with Mozart's downfall, leading to a devious scheme that has dire consequences for both men.

The Rise and Fall of the City of Mahagonny

The Rise and Fall of the City of Mahagonny
  • Genre: DramaMusic
  • Release: 15/11/2011
  • Character: Trinity Moses
A hard-hitting new production of Kurt Weill’s Rise and Fall of the City of Mahagonny by the Catalan collective La Fura dels Baus at the Teatro Real de Madrid. Composed in the 1930s by Kurt Weill and Bertolt Brecht, this is a mordant satire on capitalism and the inexorable industrialisation of a society in which the ultimate crime is not having money. In twenty scenes the authors tell the story of a city lost in the middle of a desert and run by three thugs; in Mahagonny food, sex, gambling and violence rule supreme.

From the House of the Dead

From the House of the Dead
  • Genre: Drama
  • Release: 15/11/2017
  • Character: Alexandre Petrovitch Goriantchikov
Condensing the life stories – memories of prison in Silesia – related by Dostoyevsky in his work The House of the Dead, Leoš Janáček composed an opera filled with burning desire and longing. Contagious savagery, cruelty and brutality are exacerbated by the confines of the prison. However, within its concrete walls emerge both tenderness and cruelty at the sight of an injured bird; a multitude of stories and highly personal monologues. With this production, first performed at the Wiener Festwochen in 2007, the Paris Opera pays tribute to Patrice Chéreau.

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