The best Wilfrid Brambell’s drama movies
We present our ranking of the best Wilfrid Brambell’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Wilfrid Brambell.
Witchfinder General
6.7/10
England, 1645. The cruel civil war between Royalists and Parliamentarians that is ravaging the country causes an era of chaos and legal arbitrariness that allows unscrupulous men to profit by exploiting the absurd superstitions of the peasants; like Matthew Hopkins, a monster disguised as a man who wanders from town to town offering his services as a witch hunter.
Odd Man Out
7.6/10
Belfast police conduct a door-to-door manhunt for an IRA gunman wounded in a daring robbery.
Giacomo Casanova: Childhood and Adolescence
7.1/10
Through the childhood and the adolescence of Giacomo Casanova (from his memoirs), this is a description of how people live in the Venice of the 18th century: customs, habits, medicine, religion and most of all - the omnipresence of hypocrisy. Written by Yepok
The Boys
7.2/10
A night watchman at a garage is found murdered, and four teddy boys are put on trial for the crime. Witnesses and suspects give differing accounts of the lead-up to the crime, and the truth emerges.
Steptoe and Son
6.5/10
Albert Steptoe and his son Harold are junk dealers, complete with horse and cart to tour the neighbourhood. They also live amicably together at the junk yard. But Harold, who likes the bright lights in the West End of London, meets a stripper, marries her and takes her home. Albert, of course, is furious and tries every trick he knows to drive the new bride from his household.
Steptoe and Son Ride Again
6.7/10
Albert Steptoe and his son Harold are junk dealers, complete with horse and cart to tour the neighbourhood. They also live amicably together at the junk yard. Always on the lookout for ways to improve his lot, Harold invests his father's life savings in a greyhound who is almost blind and can't see the hare. When the dog loses a race and Harold has to pay off the debt, he comes up with another bright idea. Collect his father's life insurance. To do this his father must pretend to be dead.
Nineteen Eighty-Four
7.7/10
A man who works for 'The Party' (an all powerful empire led by a man known only as 'Big Brother') begins to have thoughts of rebellion and love for a fellow member. Together they look to help bring down the party.
Serious Charge
6.3/10
Howard Phillips, a vicar who's new in the town of Bellington, wants to reach out to youth. The previous vicar's daughter, Hester Peters, who fears being a spinster, wants to be his wife. He tells her he's not interested. When he confronts a tough kid about something the youth has done, the lad sets out to frame the vicar. Hester, who's walked in on the confrontation, backs the youth's story. The town sides with her and the lad, turning against Phillips. He has a crisis of faith. What options does he have; can no one help him, his reputation, or his calling?
Flame in the Streets
6.7/10
Flame in the Streets is a 1961 British drama film directed by Roy Ward Baker. Racial tensions manifest themselves at home, work and on the streets during Bonfire Night in the burgeoning West Indian community of early 1960s Britain. Trades union leader (Mills) fights for the rights of a black worker but struggles with the news that his own daughter is planning to marry a West Indian, much against his own logic and the prejudice of his wife.
The Small World of Sammy Lee
7.1/10
The compère of a seedy strip club struggles to keep one step ahead of the bookies to whom he owes money.
Death and Transfiguration
7.4/10
In sepia tones, the film moves back and forth among three periods in Robert Tucker's life: he's an old man, near death, in a nursing home at Christmas time; he's in middle age caring for his cheerful but dying mother; he's a lad at Catholic school, practicing his catechism, going to confession for the first time, receiving the Eucharist, surrounded by the singing of a children's choir. In middle age, he looks through his scrapbook of photographs of muscular men; he recalls lovers and his mother's cremation. A nurse sits beside him on his last night; in his last breath, he reaches forward and back.
The Terence Davies Trilogy
7.5/10
These three semi-autobiographical short films by Terence Davies follow the journey of Robert Tucker, first seen as a hangdog child in "Children", then as a hollow-eyed middle-aged man in "Madonna and Child", and finally as a decrepit old man in "Death and Transfiguration". Dreamlike and profoundly moving.
