The best Wedgwood Nowell’s comedy movies
We present our ranking of the best Wedgwood Nowell’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Wedgwood Nowell.
Gentleman Jim
7.6/10
As bareknuckled boxing enters the modern era, brash extrovert Jim Corbett uses new rules and dazzlingly innovative footwork to rise to the top of the top of the boxing world.
You Can't Take It with You
7.8/10
Alice, the only relatively normal member of the eccentric Sycamore family, falls in love with Tony Kirby, but his wealthy banker father and snobbish mother strongly disapprove of the match. When the Kirbys are invited to dinner to become better acquainted with their future in-laws, things don't turn out the way Alice had hoped.
Hard to Get
6.7/10
When spoiled young heiress Maggie Richards tries to charge some gasoline at an auto camp run by Bill Davis, he makes her work out her bill by making beds. Resolving to get even, she pretends to have forgiven him, and sends him to her father to get financing for a plan Bill has. What happens next was not part of her original revenge plan.
Start Cheering
6/10
After retiring from movies to get an education, a man discovers his ex-staff is trying to have him expelled.
Naughty But Nice
6.1/10
Donald Hardwick (Dick Powell) is a stuffed-shirt, classical music professor. His family and small-town music college that he works are of equal mindset. When Don visits his black-sheep aunt in New York in order to find a buyer for his Rhapsody he is exposed to her shocking swing music crowd. His life begins to make dramatic changes after drinking a "lemonade" that turns out to be a Hurricane.
No Time for Comedy
6.2/10
Director William Keighley's 1940 film adaptation of S. N. Behrman's stage hit, about an aspiring playwright who finds himself an overnight Broadway success, stars James Stewart, Rosalind Russell, Genevieve Tobin, Louise Beavers, Charles Ruggles and Allyn Joslyn.
Torchy Runs for Mayor
6.3/10
Torchy conducts a one woman campaign against a corrupt mayor and crime boss, and when the reform candidate is murdered, she takes up the banner.
Here Comes Happiness
6.3/10
Jessica leaves her upper class home to assume an anonymous working class identity. She meets a blue collar guy, Chet and falls in love with the poor but ambitious man. Chet observes a series of suspicious, clandestine meetings with her rich father and his chauffeur which makes him think she is stringing along a "Sugar Daddy" on the side. Financial trickery and sequences of misunderstandings and coincidences culminate with a wedding that turns out much differently than planned.
The Go-Getter
6.4/10
A Navy veteran with one leg fights to make himself a success.
Personal Maid's Secret
6.5/10
A longtime maid for New York socialites watches from afar as the daughter she once gave up is raised by others. Director Arthur Greville Collins' 1935 film stars Ruth Donnelly, Anita Louise, Margaret Lindsay, Warren Hull, Frank Albertson, Arthur Treacher, Ronnie Crosby, Henry O'Neill, Lillian Kemble Cooper and Gordon Elliott.
Brides Are Like That
5.6/10
Fred, the wealthy owner of apple groves, has sent his nephew to college, but the only job that his nephew has after graduating is the job of not working. Bill is a dreamer, a talker and a golf player and he has a lot of ideas, but still lives off Fred. When Hazel gets engaged to Doc Jenkins, it takes a while, but Bill talks her into marrying him instead. The only problem is that now, he needs to find a job.
The Ghost Comes Home
5.9/10
Comic mayhem results when a small town pet store owner, mistakenly believed killed during a sea voyage, turns up very much alive. Director William Thiele's 1940 film stars Frank Morgan, Billie Burke, Ann Rutherford, John Shelton, Harold Huber, Donald Meek, Nat Pendleton, Renie Riano, Frank Albertson, Reginald Owen, Ann Morriss and Richard Carle.
My Love Came Back
6.3/10
Amelia is a gifted violinist who is in danger of quitting the Brissac Academy of Music. Julius arranges to have a scholarship given to her through his employee Tony so that Julius can escort Amelia to every musical event in the city. The trouble begins when he cannot meet her one night and Tony goes in his place. Tony believes that Julius and Amelia are a couple and then son Paul thinks that Tony and Amelia are a couple as he is sending her the money. The worst part is that Amelia might leave classical music for swing music with classmates Dusty, Joy and the band.
