The best Wayne Rogers’s movies

When petty criminal Luke Jackson is sentenced to two years in a Florida prison farm, he doesn't play by the rules of either the sadistic warden or the yard's resident heavy, Dragline, who ends up admiring the new guy's unbreakable will. Luke's bravado, even in the face of repeated stints in the prison's dreaded solitary confinement cell, "the box," make him a rebel hero to his fellow convicts and a thorn in the side of the prison officers.

An aspiring filmmaker learns that success in Hollywood doesn't come as easy as she suspected as she attempts to discover the formula to success. When the guidance of her helpful has-been uncle fails to pave the way, Sarah Wilder must seek the advice of such Hollywood heavies as Mike Meyers, Ben Stiller, and Fred Willard -- only to discover that the old adage is true and Nobody Knows Anything about how to succeed in the cutthroat world of Los Angeles.

In this film based on actual events, black activist Medgar Evers is murdered in 1963, and much of the evidence points toward white supremacist Byron De La Beckwith. However, after two trials, De La Beckwith is acquitted twice by a jury of whites. Now, decades later in 1989, Evers' widow, Myrlie, thinks she has evidence to finally convict him. But no lawyer will touch the case except the young and brash Bobby DeLaughter.

An old-time crook plans a heist. When one of his two partners is found out to be a black man tensions flare.

A one-handed madman (he lost the hand while escaping a hanging) uses various detachable devices as murder weapons to gain revenge on those he believes have wronged him.

Broke and in debt, an otherwise honest cowboy gets mixed up in some shady dealings with a crooked rancher.

Though a fictionalized Western based on George Armstrong Custer's 7th Cavalry Regiment at the Battle of the Little Big Horn, the film is almost a generic war story covering the enlistment, training, and operational deployment of a group of recruits that could take place in any time period.

After a psychopath murders a man who was on his way to a job as a deputy sheriff in a small California town, he assumes the deputy's identity and arrives in town to start his new 'job'. What he doesn't know is that the recently appointed sheriff and his mistress are plotting to murder her evil husband—and blame it on the new deputy.

Cracks are noticed in the ceiling of an aircraft. They widen & a large portion of the fuselage tears off & an emergency landing attempted. Based on actual events.

Rheinhardt, a cynical drifter, gets a job as an announcer for right-wing radio station WUSA in New Orleans. Rheinhardt is content to parrot WUSA's reactionary editorial stance on the air, even if he doesn't agree with it. Rheinhardt finds his cynical detachment challenged by a lady friend, Geraldine, and by Rainey, a neighbour and troubled idealist who becomes aware of WUSA's sinister, hidden purpose. And when events start spinning out of control, even Rheinhardt finds he must take a stand.

A master art forger and his partner in crime, an art expert who can vouch for the authenticity of the forgeries, are making a bundle. An art dealer figures out their scheme but agrees to keep quite if they forge some art lost in WWII.

Hosted by one-time M*A*S*H guest star Shelley Long, “Memories of M*A*S*H” included brand-new interviews with the cast as well as producers, creators and guest-stars. The 90-minute retrospective aired on November 25th, 1991 on CBS as part of its “Classic Weekend II,” which also included “The Bob Newhart 19th Anniversary Special” and “The Best of Ed Sullivan II.” Dozens of clips from over over sixty different episodes were shown. It was the brain-child of Michael Hirsh (also responsible for “Making M*A*S*H”) and coincided with the 20th anniversary of M*A*S*H.

It's Christmas Eve 1944 in the small town of Bedford Falls, New York. A despondent and suicidal Mary Bailey Hatch is praying for guidance on what to do about an incident no fault of her own which threatens her name and the community standing of her longtime family business, the Bailey Building and Loan, which she took over after the passing of her father. What Mary does not know is that most in town, including her husband George Hatch and their children, are also praying for her. All the prayers are heard by Joseph, God's gatekeeper of prayers. As there are no other angels available on such a busy day, Joseph assigns Clara Oddbody, angel second class (i.e. she has yet to receive her wings), to Mary's case, which he reluctantly does as Clara has never been assigned a case on her own in the two hundred years she's been in heaven for good reason.