The best Wang Lai’s movies

Golden Lotus is based, in part, on Jin Ping Mei, a famous erotic novel of ancient China. Li Han-Hsiang adapted part of the story into this film, which starts with Hsi Men Ching, a successful merchant, wooing Pan Chin Lien, the beautiful wife of one of the townspeople.

Mr. Chu is an elderly widower who teaches tai chi chuan in Beijing. He moves to America to live with his son's family, but finds the cultural adjustment difficult. Since his daughter-in-law is a white woman who does not speak Chinese, Mr. Chu's son, Alex, must mediate.

Taoist priestess Yu Hsuan-chi longs for the sort of earthy experience that a woman born to her lofty station is not expected -- or desired -- to have. While putting in an appearance with society's elite, she carries on a passionate affair with an itinerate swordsman named Tsui Po-hou. With both Hsuan-chi and Po-hou fighting against the tedium and hide-bound conventions of Chinese society, the two seem like a perfect match. Yet the ever restless Po-hou soon leaves her and continues on his travels. Hsuan-chi develops a reputation as an amoral libertine, partially because she is having sex with her maid Lu Chiao. After Po-hou returns and leaves her again, Hsuan-chi learns that Lu Chiao is pregnant but she refuses to divulge the name of the father. Hsuan-chi's reaction ultimately results in tragedy.

Three inmates in an asylum tell their stories. Story 1, a husband and wife discover they should be careful what they wish for. Story 2, a naked female ghost gets revenge from her watery grave. Story 3, a dead prostitute returns as a ghost.

A real murder case which was complicated by the ménage à trois relationship the victim had with the main suspects. As different witnesses narrated their conflicting stories, the case seemed set to lead to nowhere; especially when the real identity of the dead person was finally discovered.

The thrills continue in this second part of this cherished adventure, created by the renowned director Chu Yuan and ingenious novelist Chin Yung. Only the union of the title weapons can save the six remaining martial arts sects who are vying for mastery. So just sit back and enjoy the movie event which spawned a legacy that continues even today with a long-running, internationally loved television series, a role-playing game, and even collectible replicas of the Heaven Sword and Dragon Sabre themselves!

Tang Dynasty emperors, Ming Dynasty scholars, assorted fortunetellers, and several Buddhist monks figure in a trio of erotic and mystical Chinese legends.

Two stories are included in this erotic/romantic anthology. In the first, a Sung-Dynasty (10th-13th century) Buddhist monk is tricked into sexual relations with an unscrupulous female adventurer. He dies soon after with his misdeed on his conscience. In the second, the daughter of a woman who died in a brothel discovers that her mother died an unnatural death and seeks revenge.

A crazed evil wizard uses his powers to take revenge on beautiful women by making them vomit up live centipedes, which then proceed to eat their victims.

Story about a newspaper reporter who stumbles upon a nest of vampires living in contemporary hong kong.

Following "Clans Of Intrigue"'s success, director Chu Yuan, novelist Ku Lung, and superstar Ti Lung re-teamed for another adventure featuring sexy knight Chu Liu-Hsiang. This time, he travels to the mysterious Island Of The Bats, where he encounters treacherous monks, beautiful women, and a strange Prince. The movie is also a significant milestone in the amount of female flesh revealed on screen, proving that Shaw movies can balance the yin of cheesecake with the yang of beefcake.

Director Chu Yuan's titanic teaming with respected, inspired author Chin Yung created this unforgettable saga. Set during the Yuan Dynasty, it tells the fascinating story of the "Sacred Fire" sect, the Wu Tang swordsmanship clan, the disciples of the O Mei group, The Book of Chu Yang (which can make the reader immortal), and the destruction of Shaolin -- complete with a killer cliffhanger. And that's just the start of the fascinating intrigues and ingratiating characters found here.

TIGER KILLER (1982) is a straightforward adaptation of one story from the sprawling Chinese literary epic, "The Water Margin." It tells the tale of Wu Song, who slays a man-eating tiger preying on farmers and villagers and becomes the hero of the province, getting appointed as a constable by the local magistrate. He is reunited with his older brother, the short, disfigured Wu the Elder, a peddler of buns, who invites Wu Song to move in with him and his new wife. The wife, Golden Lotus, is an attractive young former maid who had been forced to marry Wu the Elder as punishment for getting caught in bed with her master by the master's wife. She takes a liking to the handsome, strong Wu Song, who rebuffs her attempts to seduce him. When Wu Song is sent on a long journey, the wife begins an affair with a rich local merchant. When Wu Song returns from his mission, he is met with shocking news which sets off a series of violent acts of retribution.

This film depicts the life of the 19th-century Portuguese writer Wenceslau De Moraes by means of nine ancient ballads from China. The writer married a Chinese woman after he left his wife and family to go live in Macao. Later, he moved to Japan where he fell in love with a Japanese woman, staying in Japan for the rest of his life. Mixed in with the career and loves of Moraes is the history of Portugal at home and in its colonies.